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The bridegroom sits awaiting his guests, in his garden all decorated with arches and arbours, and[Pg 14] starred with white lanterns. An orchestra is playing, hidden in a shrubbery.

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In every house a tiny lamp allowed us to see the women, squatting while they pounded millet, or cooked in copper pots. Then night suddenly fell, and I could no longer find my way about the dark alleys, stumbling as I went over cows lying across the path, till I suddenly found myself opposite a very tall pagoda, three storeys high. On the threshold the bonzes were banging with all their might on gongs and drums, alternately with bells. And on the opposite side of the street, in a sort of shed enclosed on three sides, but wide open to the passers-by, people in gay robes were prostrate before two shapeless idols, Krishna and Vishnu, painted bright red, twinkling with ornaments of tinsel and lead-paper, and crudely lighted up by lamps with reflectors. And then at once I was between low houses again, and going down tortuous streets to the river-bed,[Pg 48] whither I was guided by the sound of castanets and tambourines.A golden mass, an enormous shrine chased all over and starred with tapers, now came forward, borne by a score of naked men. Against the gold background, in a perfect glory of diamonds and pearls, sat Vishnu, decked out with flowers and jewels, his head bare with a huge brilliant in his forehead.
ONE:In the courtyard a tall and gaudy cock was keeping the crows in order, driving them relentlessly away from the kitchen precincts. On the roof of the servants' quarters, always in the same spot, perched a kite, ready to pounce as soon as anything was thrown out. The doves, the house-pigeons, the fowls fled at once and squatted in corners; but the cock stood his ground, his feathers all on end, his crest erect, chuckling with rage and stalking round the yard within ten paces of the bird of prey. TWO:The Jumna Musjid, in the middle of the bazaar, is a reminder of the mosque at Cordova. A thousand[Pg 63] unmatched columns stand in utter confusion of irregular lines, producing a distressing sensation of an unfinished structure ready to fall into ruins. Every style is here, and materials of every description, brought hitheras we are told by the inscription engraved over one of the lofty pointed doorwaysfrom the temples of the unbelievers destroyed by Shah Mahmoud Bogarat, the taker of cities, that he might, out of their remains, raise this mosque to the glory of Allah. In the centre of the arcade a large flagstone covers the Ja?n idol, which was formerly worshipped here; and my servant Abibulla, as a good Moslem, stamped his foot on the stone under which lies the "contemptible image." Some workmen were carving a column; they had climbed up and squatted balanced; they held their tools with their toes, just chipping at the marble in a way that seemed to make no impression, chattering all the time in short words that seemed all of vowels.THREE:The storm raged on all day, bringing down clouds that swept the earth and yawned in cataracts, to the awful roar of the thunder that shook the foundation of rock.
FORE:

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FORE:A day in the tonga. Early in the morning through snow, and past forests where huge pines were felled by yesterday's storm; then, after descending a hill in a thaw that melted the clay soil into red mud, we came to a felted carpet of flowers as close as they could lie, without leaves; violets, and red and white tulips swaying on slender stems. And here again were the song of birds, and fragrance in the soft, clear air.

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FORE:He came into ours as if he were at home, and amused himself by worrying me. At first he made believe to throw my rings out of window, substituting others, I know not how, which I saw fall on the line and roll into the grass on the bank. My watch got into his hands and vanished; I found it in my friend T's pocket, and afterwards in a basket of provender closed at Bhawnagar, and which I unpacked with my own hands.

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FORE:More and yet more temples, seen through the mist of weariness, the nightmare of grimacing idols, the heavy vapour of the incense burnt in every chapel, and of the flowers brought by the pilgrims. A dark red pagoda, lighted by a mysterious blue gleam falling intermittently from somewhere in the roof, enshrined a white marble god, whose glittering gems seemed to rise and fall behind the cloud of perfume that floated about him.Our last evening at the Residency, where I had spent days made enchanting by music.

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FORE:There was nobody in the garden of the mausoleums, not even the usual obsequious and mendicant attendant. Only by the tomb of Purvez a moollah was kneeling in prayer, motionless, and wrapped in some very light white material, which the wind gently stirred and blew up. All the time I was examining the mausoleums he prayed on, prostrate, immovable; and even from afar, from the road, I could see him still, like a stone among the marble work, at the feet of the hero who sleeps his last in mid-air.Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple toolsclumsy toolswhich they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.

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FORE:

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THREE:Beyond Siliguri, where we left the main line, a little toy railway, going very slowly, jostles the travellers across rice plantations and woods of giant trees, under whose shade tree-ferns expand on the banks of the streams. By the side of the water springs are hung prayers written on strips of rice-paper that flutter in the wind from the shrubs and bamboos, mingling with the blossoms of rhododendron and funkia, spots of bright colour showing against the forest of mighty cedars and sycamores and gloomy palms. Clinging to the highest branches, orchids like birds are to be seen, and from bush to bush hang bright green threads covered with white stars, tangled into hanks and hooked on to every thorn. The vegetation of banyans, ph?nix, and other tropical plants gradually becomes mixed with oak, box, and plane trees, and then disappears altogether as we get higher; and presently, as we pass through a belt of great dark firs, the shrubs, the mosses, and even the flowers are those of Europe. Higher up, the mountain side is mapped out into lines and squares, green and russet, looking from a distance[Pg 146] like ribbed velvet; these are the tea plantations. The horizon grows broader, spreading away and out of sight towards the vision-like mountains forming the outposts of the Himalayas; up to the very verge of the eternal snows they are cultivated in the same rib-like strips, all tea plantations; and amid the shrubs are the little factories where the precious leaves are dried, and villages of little homesteads lost among the greenery, or peeping through the opalescent haze, intensely blue under the pure, cold sky and crude sunshine. The natives here wear skins with the fur inside; the leather outside is patterned with red or blue cloth. Men and women alike go about in felt boots, which give them an unsteady and straddling gait.All day long in front of the houses the women were busy clumsily pounding grain with wooden pestles in a hollow made in a log; stamping much too hard with violent energy, they scattered much of the grain, which the half-tamed birds seized as they flew, almost under the women's hands. And then the wind carried away quite half the meal. But they pounded on all day for the birds and the[Pg 263] wind, and were quite happy so long as they could make a noise.

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TWO:And on the man's replying that he would try, the sultan, who chose that the monument should have no rival, caused the architect to be thrown into the Jumna on the spot, where he was dashed to pieces at the foot of his masterpiece, which remains unique.
THREE:BOMBAY

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FORE:
THREE:A delightful surprise was a museum of Indian art, the first I had seen, a fine collection and admirably arranged;[A] but the natives who resorted hither to enjoy the cool shelter of the galleries talked to each other from a distance, as is their universal custom, at the top of their voices, which rang doubly loud under the echoing vaults.
THREE:KOHAT

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On the very edge of the Jumna, where russet fields break the monotony of its white sandy banks, is the private state-room, the residence of the sovereigns of Delhi, built of translucent milky[Pg 217] marble, warmed by the reflection of gold inlaid on the columns and merged with the stone that is turned to amber.The natives here were an even finer race than those at Peshawur, and more uncultured, never bowing when we met them, but eyeing us as we passed as if they were meditating some foul blow.In the hotel compoundmore absurd than all the rest, lost in a waste of open land beyond the seething native townthere was a swarm of coolie servants, their wives and their children, who played all day at climbing about the coaches put up under the trees. And, without ceasing, a maddening hubbub of laughter and crying came up from this litter of brats, more weariful than the silence of vacancy all around.
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