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TWO:At this period, both the grand old styles of architecture, the Gothic for ecclesiastical buildings, and the Tudor and Elizabethan for palaces and mansions, had, for a time, run their course. A classical or Italian fashion had come in, and the picturesque churches and halls of our ancestors were deemed barbarous. Inigo Jones had introduced the semi-classical style, and now Sir Christopher Wren and Vanbrugh arose to render it predominant. Wren had the most extraordinary opportunity for distinguishing himself. The fire of London had swept away a capital, and to him was assigned the task of restoring it. Wren (b. 1632; d. 1723) was descended from a clerical family. In 1651 he was appointed to the chair of astronomy at Gresham College; three years afterwards to that of the Savilian professor at Oxford. In 1661 he was appointed by Charles II. to assist Sir John Denham, the surveyor-general, and in 1663 he was commissioned to examine the old cathedral of St. Paul, with a view to its restoration in keeping with the Corinthian colonnade which Inigo Jones had, with a strange blindness to unity, tagged on to a Gothic church. The old church was found to be so thoroughly dilapidated, that Wren recommended its entire removal and the erection of another. This created a terrible outcry amongst the clergy and citizens, who regarded the old fabric as a model of beauty.
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TWO:Fresh difficulties arise in explaining the activity which the Soul, in her turn, exerts. As originally conceived, her function was sufficiently clear. Mediating between two worlds, she transforms the lower one into a likeness of the higher, stamping on material objects a visible image of the eternal Ideas revealed to her by a contemplation of the Nous. And, as a further elaboration of this scheme, we were told that the primary soul generates an inferior soul, which, again, subdivides itself into the multitude of partial souls required324 for the animation of different bodily organisms. But now that our philosopher has entered on a synthetic construction of the elements furnished by his preliminary analysis, he finds himself confronted by an entirely new problem. For his implied principle is that each hypostasis must generate the grade which comes next after it in the descending series of manifestations, until the possibilities of existence have been exhausted. But in developing and applying the noetic Ideas, the Soul, apparently, finds a pre-existing Matter ready to hand. Thus she has to deal with something lower than herself, which she did not create, and which is not created by the Forms combined with it in sensible experience. We hear of a descent from thought to feeling, and from feeling to simple vitality,476 but in each instance the depth of the Souls fall is measured by the extent to which she penetrates into the recesses of a substance not clearly related to her nor to anything above her.
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TWO:
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