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TWO:Plutarch, who was twenty-one when Nero declared his country free, was the first leader in the great Hellenist revival, without, at the same time, entirely belonging to it. He cared more for the matter than for the form of antiquity, for the great deeds and greater thoughts of the past than for the words in which they were related and explained. Hence, by the awkwardness and heaviness of his style, he is more akin to the writers of the Alexandrian period than to his immediate successors. On the one side, he opens the era of classical idealism; on the other, he closes that of encyclopaedic erudition. The next generation bore much the same relation to Plutarch that the first Sophists bore to Hecataeus and Herodotus. Addressing themselves to popular audiences, they were obliged to study perspicuity and elegance of expression, at the risk, it is true, of verbosity and platitude. Such men were Dion Chrysostom, Her?des Atticus, Maximus Tyrius, and Aristeides. But the old models were imitated with more success by writers who lived more entirely in the past. Arrian reproduced the graceful simplicity270 of Xenophon in his narrative of the campaigns of Alexander and his reports of the lectures of Epict��tus. Lucian composed dialogues ranking with the greatest masterpieces of lighter Attic literature. The felicity of his style and his complete emancipation from superstition may probably be traced to the same source��a diligent study of the ancient classics. It is certain that neither as a writer nor as a critic does he represent the average educated taste of his own times. So far from giving polytheism its deathblow, as he was formerly imagined to have done, he only protested unavailingly against its restoration.

TWO:Besides this increasing reverence paid to the deified mortals of ancient mythology, the custom of bestowing divine honours on illustrious men after or even before their death, found new scope for its exercise under the empire.232 Among the manifestations of this tendency, the apotheosis of the emperors themselves, of course, ranks first. We are accustomed to think of it as part of the machinery of despotism, surrounded by official ceremonies and enforced by cruel punishments; but, in fact, it first originated in a spontaneous movement of popular feeling; and in the case of Marcus Aurelius at least, it was maintained for a whole century, if not longer, by the mere force of public opinion. And many prophecies (which, as usual, came true) were made on the strength of revelations received from him in dreams.356 But a much stronger proof of the prevalent tendency is furnished by the apotheosis of Antinous. In its origin this may be attributed to the caprice of a voluptuous despot; but its perpetuation long after the motives of flattery or of fear had ceased to act, shows that the worship of a beautiful youth, who was believed to have given his life for another, satisfied a deep-seated craving of the age. It is possible that, in this and other instances, the deified mortal may have passed for the representative or incarnation of some god who was already believed to have led an earthly existence, and might therefore readily revisit the scene of his former activity. Thus Antinous constantly appears with the attributes of Dionysus; and Apollonius of Tyana, the celebrated Pythagorean prophet of the first century, was worshipped at Ephesus in the time of Lactantius under the name of Heracles Alexicacus, that is, Heracles the defender from evil.357