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THREE:[529]The two Pugins, father and son, had much to do with the revival of Gothic architecture among us. The father, Augustus, born in France in 1769, came over to London to practise his profession. In 1821-3 he published "Specimens of Gothic Architecture," selected from various ancient edifices in England; and in 1825-28 "Specimens of the Architectural Antiquities of Normandy." The year before his death, in 1832, he assisted his son in producing a work entitled "Gothic Ornaments," selected from various buildings in England and France. Augustus Welby Pugin, who was born in 1811, very soon eclipsed his father's fame. Having resolved to devote his time to the arch?ological study of style and symbolism in architectural ornaments, he settled down at Ramsgate in 1833, and carried his resolution into effect both with pen and pencil. In 1835 he published designs for furniture, in the style of the fifteenth century; and designs for iron and brass work, in the style of the sixteenth and seventeenth centuries. The year following appeared his "Designs for Gold and Silver Ornaments, and Ancient Timber Houses." His exclusive and ardent devotion to these studies, aided, no doubt, by his habits of seclusion, began to produce a morbid effect upon his intellect, which was shown in the overweening arrogance of a tract entitled "Contrasts; or, a Parallel between Ancient and Modern Architecture." This morbid tendency probably was increased by his becoming a member of the Roman Catholic Church, in which a great field was opened for the display of his peculiar tastes by the construction of buildings which he expected would shame the degenerate taste of the age, but which, too often, were found to be gloomy and inconvenient. His principal works were the Cathedral of St. George, Southwark, the Church of St. Barnabas, at Nottingham, the Cistercian Abbey of St. Bernard, in Leicestershire, the cathedral churches of Killarney and Enniscorthy, Alton Castle, and the model structure which he erected at his own place near Ramsgate. The Medi?val Court in the Exhibition of 1851 was associated in all minds with the name of Pugin. In his case genius was too nearly allied to madness. The awful boundary was passed towards the close of his life, when his friends were obliged to confine him in a lunatic asylum, from which he returned only to die in 1852. THREE:Jellacic, the Ban, or Governor, of Croatia, resolved to hold a Slavonic Diet at Agram on the 5th of June; but it was forbidden as illegal by the Austrian Government, and the Ban was summoned to Innsbruck to explain his conduct to the emperor. He disobeyed the summons. The Diet was held, and one of its principal acts was to confer upon Jellacic the title of Ban, which he had held under the now repudiated authority of the emperor. He was consequently denounced as a rebel, and divested of all his titles and offices. The emperor proceeded to restore his authority by force of arms. Carlowitz was bombarded, and converted into a heap of ruins; and other cities surrendered to escape a similar fate. It was not, however, from disloyalty to the imperial throne, but from hostility to the ascendency of Hungary, that the Ban had taken up arms. He therefore went to Innsbruck early in July, and having obtained an interview with the emperor, he declared his loyalty to the Sovereign, and made known the grievances which his nation endured under the Hungarian Government. His demands were security and equality of rights with the Hungarians, both in the Hungarian Diet and in[579] the administration. These conditions were profoundly resented by the Magyars, who, headed by Count Batthy��ny and Louis Kossuth, had in 1847 extorted a Constitution from the emperor. It was the unfortunate antipathy of races, excited by the Germanic and Pan-Slavonic movements, that enabled the emperor to divide and conquer. The Archduke Stephen in opening the Hungarian Diet indignantly repelled the insinuation that either the king or any of the royal family could give the slightest encouragement to the Ban of Croatia in his hostile proceedings against Hungary. Yet, on the 30th of September following, letters which had been intercepted by the Hungarians were published at Vienna, completely compromising the emperor, and revealing a disgraceful conspiracy which he appears to have entered into with Jellacic, when they met at Innsbruck. Not only were the barbarous Croatians, in their devastating aggression on Hungary, encouraged by the emperor while professing to deplore and condemn them, but the Imperial Government were secretly supplying the Ban with money for carrying on the war. Early in August the Croatian troops laid siege to several of the most important cities in Hungary, and laid waste some of the richest districts in that country. In these circumstances the Diet voted that a deputation of twenty-five members should proceed at once to Vienna, and make an appeal to the National Assembly for aid against the Croats, who were now rapidly overrunning the country under Jellacic, who proclaimed that he was about to rid Hungary "from the yoke of an incapable, odious, and rebel Government." The deputation went to Vienna, and the Assembly, by a majority of 186 to 108, resolved to refuse it a hearing. Deeply mortified at this insult, the Hungarians resolved to break completely with Austria. They invested Kossuth with full powers as Dictator, whereupon the Archduke resigned his vice-royalty on the 25th of September, and retired to Moravia.The fame of Wren must rest on St. Paul's, for in palaces he was less happy than in churches. His additions to Windsor Castle and St. James's Palace, and his erection of Marlborough House are by no means calculated to do him high honour, whilst all lovers of architecture must deplore the removal of a great part of Wolsey's palace at Hampton Court to make way for Wren's structure. A glorious view, if old drawings are to be believed, must all that vast and picturesque variety of towers, battlements, tall mullioned windows, cupolas, and pinnacles, have made, as they stood under the clear heaven glittering in the sun. The writers who saw it in its glory describe it in its entireness as the most splendid palace in Europe. Of the campaniles of Wren, that of St. Bride's, Fleet Street; of Bow Church, Cheapside; of St. Dunstan's-in-the-East; and the tower of St. Michael's, Cornhill, are the finest. The last is almost his only Gothic one, and would have been a fine tower had the ornament been equally diffused over it, and not all been crowded too near the top. Wren was thwarted in his design for the London Monument. He drew a plan for one with gilt flames issuing from the loop-holes, and surmounted by a ph?nix, but as no such design could be found in the five Orders, it was rejected, and the existing commonplace affair erected. One of his last undertakings was the repair of Westminster Abbey, to which he added the towers at the west end, and proposed to erect a spire in the centre. Sir Christopher left a large quantity of drawings, which are preserved in All Souls' College library, Oxford.