THREE:You are very mysterious, dear, she said. You seem to forget that I am your mother. And if you tell me that I must speak to nobody about it yet, you may be sure I shall not do so without{225} your leave. I was always famous for my ability to keep a secret. Why, not so long ago your father told me something which I am sure will make Mrs Fyson turn quite green with odious jealousy when she hears it, and I have not breathed a word to anybody. Not a word. So dont be so mysterious, dear; I remember going to tell Mamma the moment your father spoke to me, and it was in the garden behind Mammas house; I could show you the very place, if you dont believe me.By all means. Your Mr Silverdale is stuffing Alices head with ridiculous notions. Hes doing the same to that other girl. Of course shes no business of yours or mine, but Alice is. Shell soon be fancying herself in love with him, if she doesnt already.
THREE:"The Chinese have a great many gods, and pretty nearly every god has a temple in some part of Pekin. There is a fine temple to Confucius, which is surrounded by some trees that are said to be five hundred years old; the temple has a high roof which is very elaborately carved, and looks pretty both from a distance and when you are close by it. But there are no statues in the temple, as the Chinese do not worship Confucius through a statue, but by means of a tablet on which his name is inscribed. The other deities have their statues, and you may see the god of war with a long beard and mustache. The Chinese have very slight beards, and it is perhaps for this reason that they frequently represent their divinities as having a great deal of hair on their faces, so as to indicate their superiority to mortals. Then they have a god of literature, who is represented standing on the head of a large fish, and waving a pencil in his right hand, while he holds in his left a cap such as is worn by the literary graduates after they have received their degrees.[Pg 368] The god of literature is worshipped a great deal by everybody who is studying for a degree, and by those whose ancestors or other relatives have been successful in carrying away the honors at an examination. Think what it would be to have such a divinity in our colleges and schools[Pg 369] in America, and the amount of worship he would get if the students really believed in him!The Japanese lacquer of the present time is not so highly prized as that of the last or the previous century. It is not so well made, partly for the reason that the workmen have lost their skill in the art, and partly because labor is much more expensive now than formerly. The prices obtained for some of the specimens of this kind of work have been very high, but they are not enough to meet the advance that has been made in wages in the past few years. The manufacturers are anxious to turn their money as rapidly as possible, and consequently they do not allow their productions to dry thoroughly. To be properly prepared, a piece of lacquer should dry very slowly; and it used to be said that the best lacquer was dried under water, so that the process should not be too rapid. The article, whatever it may be, is first shaped from wood or papier-mach, and then covered with successive coatings of varnish or lacquer; this is made from the gum of a tree, or, rather, from the juice, and it is said to have the peculiar property of turning black from exposure to the air, though it is of a milky whiteness when it exudes from the tree. It can be made to assume various colors by the addition of pigments; and while it is in a fresh condition coatings of gold-leaf are laid on in such a way as to form the figures that the artist has designed. Every coating must be dried before the next is laid on; and the more elaborate and costly the work, the more numerous are the coatings. Sometimes[Pg 251] there may be a dozen or more of them, and pieces are in existence that are said to have received no less than fifty applications of lacquer. A box may thus require several years for its completion, as the drying process should never be hastened, lest the lacquer crack and peel when exposed to the air, and especially to heat. Good lacquer can be put into hot water without the least injury; but this is not the case with the ordinary article.
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