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THREE:Some of the writers of the last period were still existing in this. Dryden was living, and wrote some of his most perfect works, as his "Fables," and his "Alexander's Feast," as well as translated Virgil after the Revolution. He was still hampered by his miserable but far more successful dramatic rivals, Shadwell and Elkanah Settle. Nathaniel Lee produced in William's time his tragedies, "The Princess of Cleves," and his "Massacre of Paris." Etherege was yet alive; Wycherley still poured out his licentious poems; and Southern wrote the greater part of his plays. His "Oronooko" and his "Fatal Marriage" were produced now, and he received such prices as astonished Dryden. Whilst "Glorious John" never obtained more than a hundred pounds for a play, Southern obtained his six or seven hundred.Again, on the practical side, by combining Plato with Aristotle and both with Stoicism, Plotinus contrives to eliminate what is most valuable in each. If, in the Republic, the Good was placed above all existence, this was only that we might transform existence into its image. If Aristotle placed the theoretical above the ethical virtues, he assigned no limits but those of observation and reasoning to the energising of theoretic power. If the Stoics rested morality on the absolute isolation of the human will, they deduced from this principle not only the inwardness of virtue, but also the individualisation of duty, the obligation of beneficence, and the forgiveness of sin. But with Plotinus, Reason has no true object of contemplation outside its own abstract ideas, and the self-realisation of Stoicism means a barren consciousness of personal identity, from which every variety of interest and sympathy is excluded: it is not an expansion of our own338 soul into coincidence with the absolute All, but a concentration of both into a single point, a flight of the alone to the alone;503 and only in this utter solitude does he suppose that the Platonic Good is finally and wholly possessed.