缇庡コ琚�寮哄共鍟�鍟�鍟�鎿嶉�奸獨鐗囪�嗛�慱缇庡コ琚�鎿峗缇庡コ琚�鎿嶅浘_缇庡コ琚�鎿嶇垎绮楀彛

THREE:Her great uncle, the old Maréchal de Mouchy, had never left the King on the terrible day of the 20th of June, but had stood by him making a rampart of his own body to protect him from the hordes of ruffians who were invading the palace; her father, on hearing of these events, had left his refuge in [230] Switzerland and hurried back to the King; so did her cousin, the Prince de Poix. Both of them had sympathised with the earlier Liberal ideas at first; but now, horrified at the fearful development of their principles, they bitterly regretted their folly and came to place their lives at the service of their King.

THREE:It was asserted by one person that she had seen the MS. of the “Aurore” on the table of Mme. de Genlis, but it is not likely that she would have been guilty of mixing herself in such an infamy; it was one of the slanders, probably, of which she complained, but was the result of associating intimately with such a man as the Duc de Chartres.

THREE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.Paul turned to one of his aides-de-camp, saying—

THREE:

THREE:“Monsieur de Chalabre, I wish to know why you took from the game to-night a rouleau of fifty louis?”The year 1765 witnessed the death of the Dauphin, and soon after that of the Dauphine, who was broken-hearted at his loss. The Dauphin died of a wasting illness, to the great grief of the King, who stood leaning against the doorway of [179] his son’s room, holding by the hand the Duc de Berri, until all was over. Then, turning away, he led the boy to the apartment of the Dauphine to acquaint her with what had happened, by giving the order to announce “the King and Monseigneur le Dauphin.” [69]