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Then, from a bridge across the Ganges, for a moment we had a last glimpse of the sacred citythe gold-coloured umbrellas, the throng of bathers on the steps to the riverand then Abibulla gravely remarked, "If only India had three cities like Benares it would be impossible ever to leave it."

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At the end of the garden, in a little temple, is a statue of the holy man of the size of life, in his favourite attitude, sitting on his crossed legs. Round the image were the most absurd toysand a photograph of the German Emperor! As I was leaving, the fakir called me back, asked me to think of him sometimes, and gave me one of the splendid yellow roses that hung about him like a glory."Would you be willing to pay thirty-five rupees?"
  • ONE:Before us the road lay pink in colour, with purple lines where the pebbles were as yet un-crushed; it was hedged with blossoming thorn-bushes, and among the yellow and violet flowers parrots were flitting, and screaming minahs, large black birds with russet-brown wings, gleaming in the sun like burnished metal. Read More
  • ONE:We saw the Jasmine tower from a corner of the garden in the glow of sunset. With its gilt cupola blazing in the low beams, its amber-hued walls as transparent as melting wax, and its pierced screen-work, it looked so diaphanous, so fragile, that it might be carried away by the evening breeze. And beyond the pavilion, above the ramparts carved with huge elephants, lies the old Hindoo palace, deserted by Jehangir for his house of pale marblesan endless palace, a labyrinth of red buildings loaded to the top with an agglomeration of ornament supporting flat roofs. And pagodas that have lost their doors, a work of destruction begun by Aurungzeeb. One court is still intact, overhung by seventy-two balconies, where the zenana could look on at the dancing of bayadres. Perfect, too, is the queen's private apartment, with two walls between which an army kept guard by day and by night. Read More
  • ONE: Read More
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"Let every children forced to be on street have education."

–Munzurul Hasan, Alor Bhubon

THREE:Then from afar came the sound of tom-toms and bagpipes, nearer and nearer, and the musicians became visible at the top of one of the stair-like alleys. First came the men, then the women. One of these, robed in pale green with a violet and silver saree, carried a child in her arms wrapped in a red dress embroidered with gold. He was this day six[Pg 160] months old; he had eaten rice, and was brought to see the sacred Ganges for the first time. The family, friends, and neighbours had assembled in honour of the great ceremony, which consisted in holding the infant face downwards over the water, which he scarcely saw with half-shut eyes; and then the procession went back again to the sound of the music, and was gone.Here again the cars of the gods were neglected in the open air, and one of them, older than the rest, was fast being transfigured into a pyramid of shrubs and flowers.

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FORE:While I spent the hot hours of the day in the bungalow, a flock of birds came in through the open doors, and quietly picked up the crumbs on the floor. They were followed by grey squirrels, which at first crouched in the corners, but presently, growing bolder, ended by climbing on to the table, with peering eyes, in hope of nuts or bread-crusts.A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.

We Open in Jamalpur Branch in 2010

FORE:A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.

We Open in Jamalpur Branch in 2010

FORE:In the afternoon the soldiers tilted on horseback, four on a side. They tried to unhorse each other; two or three would attack one, succeeding at last in rolling him off under his charger, while they in their turn were attacked by others, ending in a mle, where the victors and the vanquished left fragments of their thin shirts.A dark street corner where there were no shops. Under a canopy constructed of four bamboos thatched with straw, a young man in a light-coloured dhoti was sitting on a low stool; about him were women singing. Presently one of them came forward, and dipping her fingers into three little copper pots that stood on the ground in front of the youth, she took first oil, then a green paste, and finally some perfume with which she touched seven spotsthe lad's feet, knees, shoulders, and turban. Then she wiped her fingers on the saree of the bridegroom's motherfor he was to be[Pg 252] married on the morrowwho was standing behind her son.

We Open in Jamalpur Branch in 2010

FORE:BHAWNAGAR

We Open in Jamalpur Branch in 2010

THREE:
THREE:An old-world Indian city with nothing of modern flimsiness and tinsel. The arcades and balconies of the houses in the bazaar are carved out of solid wood, polished by ages to tones of burnished steel and warm gold. Copper nails in the doors shine in the sun. Along the quiet streets, where nothing passes by but, now and then, a slow-paced camel, Hindoos make their way, draped in pale pink, or in white scarcely tinged with green or orange colour; little naked children, with necklaces, bangles and belts of silver, looking like ribbons on their bronze skin. In front of the shops is a brilliant harmony of copper, sheeny fruits, and large pale green pots. A glad atmosphere of colour surrounds the smiling people and the houses with their old scorched stones.

"We believe in a world where no child ever has to live on the streets"

Over the past 45 years,we worked in over 4 District to provide youth with practical, hands-on-skills that they can apply to entrepreneurial endeavors and entry-level jobs. We do not believe in providing hand-outs. Our goal is to provide sustainable skills through education, which can be used over a long period of time. Through a unique Train-the-Trainer model, Street Kids provides educational workshops on relevant business skills to Master Trainers and Youth Workers based in developing countries.

TWO:In the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.
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TWO:They shoved it under water, but it presently rose to the surface and floated down the stream, followed by a flock of hawks that snatched at the burnt remains and fought over them in the air, while crocodiles below swam up and snapped at them, dragging them down in their enormous jaws, which appeared for a moment above the water.
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FORE:A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.The Maharajah of Benares sent his carriage this morning to take me to him. We went to the Ganges, where a palankin was in waiting to carry me across the narrow strip of sand between the road and the boat, escorted by a worthy who held a tall red umbrella, fringed with gold, over my head.

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FORE:A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.At the entrance into one of the chapels is the trunk of an Akshai bar or b? tree, a kind of fig such as the Buddhists place in front of their sanctuaries. The tree is living in the subterranean[Pg 185] vault, and after thrusting its head through the heavy layer of stones forming the roof of the temple, it spreads its branches under the light of day. Endless absurd legends have grown up about the mystery of this tree, which is said to be no less than twenty centuries old; and my guide, who talks aloud in the presence of the idols he despises, being a Mohammedan, bows reverently to the tree and murmurs, "That is sacred; God has touched it."

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THREE:

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FORE:At a turn in the road the view opened out to a[Pg 249] distant horizon; the plain of Peshawur, intensely green in contrast with the rosy tone of the foreground; and far away the Himalayas, faintly blue with glaciers of fiery gold in the sun, against a gloomy sky where the clouds were gathering.

At street level we strive to meet the immediate needs of children at risk on the streets and platforms of India today. We have created a number of ‘child friendly stations’ with the help and engagement of the people who work at them, who now look out for and help children alone and at risk.

FORE:At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.Before us the road lay pink in colour, with purple lines where the pebbles were as yet un-crushed; it was hedged with blossoming thorn-bushes, and among the yellow and violet flowers parrots were flitting, and screaming minahs, large black birds with russet-brown wings, gleaming in the sun like burnished metal.

At community level we work to make children on the streets visible to society and to help people understand the issues that cause children to run away and that face them on the streets and on the platforms. We invest time and skills in preventative intervention, with the aim of creating ‘safety nets’ within communities to catch children who are at risk of running away before they do so.

FORE:The Ghoorkhas, small men and very active, young too, with Chinese features, were practising gymnastics. And recruits were being drilled, two of them barefoot, though wearing their gaiters.

At government level we work to persuade policy makers that children living on the streets should be higher on India’s political agenda and that government policies should provide greater protection and opportunity for them

THREE:Then, from a bridge across the Ganges, for a moment we had a last glimpse of the sacred citythe gold-coloured umbrellas, the throng of bathers on the steps to the riverand then Abibulla gravely remarked, "If only India had three cities like Benares it would be impossible ever to leave it."
THREE:To the Chandni Chowkthe bazaar. In a miniature-painter's shop was a medley of ivories, of boxes inlaid with silver and ebony, and toys carved in sandal-wood.

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THREE:The baboo who has lost caste and been half-civilized in the Anglo-Indian colleges, is always the middleman between the Government and the poor; and he, barefaced and with no pretence of concealment, took twenty per cent. of the wages he was supposed to pay the labourers. And there were none but baboos to superintend the poorhouses and the famine-camps. It is said that during the previous famine some made fortunes of six to eight lacs of rupees (the lac is 10,000).

Munzurul Hasan

Founder,Alor Bhubon

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Munzurul Hasan

Founder,Alor Bhubon

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Munzurul Hasan

Founder,Alor Bhubon

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Munzurul Hasan

Founder,Alor Bhubon

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THREE:Some more small boys, a little way off, were doing embroidery, mingling gold thread and coloured silks in patterns on shawls. They were extremely fair, with long-shaped black eyes under their bright-hued pointed caps, and their dresses were gay and pretty, mingling with the glistening shades of silks and gold. And they were all chattering, laughing, and twittering as they worked, hardly needing the master's supervision.

Volunteer, Porshee Foundation

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THREE:On entering this portal, lo, a miraculous vision! At the end of an avenue of dark cypress trees stands the tomb of Mumtaj-Mahal, a dream in marble, its whiteness, crowned by five cupolas that might be pearls, mirrored in a pool edged with pink stone and borders of flowers.In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeatedon the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.

Volunteer, Porshee Foundation

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Micheal Smith

Volunteer, Porshee Foundation

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NEWS

25 MAY 2015

Why do children end up on the streets?

Children end up on the streets for a mixture of reasons, though poverty is usually at the heart of the problem. In the countries where we work, conflict and poverty combine to force children onto the streets. In many cases a child's family can no longer afford to care for them properly or may need their help to supplement the family income and help put food on the table.

Hasan

01 DECEMBER 2014

BeReviews was a awesome envent in dhaka

With a blow from the top-maul Ahab knocked off the steel head of the lance, and then handing to the steel

Litoon Dev

03 NOVEMBER 2014

Play list of old bangle music and gajal countries

With a blow from the top-maul Ahab knocked off the steel head of the lance, and then handing to the steel

Rabbani

CONTACT ALOR BHUBON

Contact Info

252, Elephant Road, Al-Baraka Tower, Kataban Road, Dhaka, Bangladesh Phone Number: 01918-009393

We set out from Srinagar in an ekka, drawn at a trot by our only horse. The driver, perched on the shaft almost by his steed's side, dressed in green with an enormous pink pugaree, flogged and shouted incessantly. The monotonous landscape went on and on between the poplars that border the road, extending as far as the blue circle of distant Himalayas. The valley was green with the first growth of spring; as yet there were no flowers. And till evening fell, the same horizon shut us in with mountains that seemed to recede from us.The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.In the distance, across the plain, herds of deer were feeding, and hardly looked up as the train went by.
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