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The Duke was at his wits end, there were [423] scenes and interviews and negotiations without end, but he and Mme. de Genlis were forced to give way.
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ONE:Votre nom? [23]
TWO:The Empress Elizabeth, whose own life was a constant succession of love intrigues, disapproved nevertheless of this open and public scandal, particularly when her nephew was reported to be about to divorce his wife in order to marry his mistress.

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ONE:It was no wonder they got neither money nor letters from the Orlans family, but Mme. de Genlis began to be uneasy about money matters. She could not get any remittances either; and although her writings would certainly ultimately support her, she could take no steps about them while she was afraid to disclose her name.
FORE:But the pictures and churches filled Lisette with delight, especially the masterpieces of Correggio, the glory of Parma.

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FORE:Lisette now settled down into that Roman life [95] which in those days was the most enchanting that could be imagined. M. Le Brun being no longer able to take possession of her money, she had enough for everything she wanted, and in fact during the years of her Italian career she sent him 1,000 cus in reply to a piteous letter, pleading poverty; and the same sum to her mother.CHAPTER X

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THREE:Instead of the keys of the abbey strange news was brought to Mme. de Toustain. A rich and vigorous farmer had just been attacked on the high road. He had stunned with his club one of his assailants whom the soldiers of the marchausse had brought with his accomplice to the archway. They asked for the prison to be opened to put them in, and for the farmer to be allowed to pass the night in the precincts, that he might not fall into the hands of the other robbers. The Prioress having replied that it was too late, they woke the Abbess, who ordered all the doors to be opened that the brigadier required, but the old Prioress was so obstinate about the rules that the Abbess had to get up herself and demand the keys, which otherwise she would not give up.

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THREE:DAlembert was one of the most constant and intimate habitus of the salon of Mme. Geoffrin, then the stronghold of the philosophers and encyclop?dists, as that of the Duchesse de Luxembourg was of the aristocratic beau monde.

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THE Marquis de la Haie, uncle of Flicit by the second marriage of her grandmother, strongly disapproved of the way in which his mother treated his half-sister and her children. He vainly tried to influence her to behave better to them, and showed them much kindness and affection himself. Unfortunately he was killed at the battle of Minden. A strange fatality was connected with him, the consequences of which can scarcely be appreciated or comprehended. He was one of the gentilhommes de la manche [112] to the Duc de Bourgogne, eldest son of the Dauphin, and elder brother of Louis XVI., who was extremely fond of him. One day he was playing with the boy, and [363] in trying to lift him on to a wooden horse he let him fall. Terrified at the accident, and seeing that the Prince had not struck his head, had no wound nor fracture nor any apparent injury, he begged him not to tell any one what had happened. The Duc de Bourgogne promised and kept his word, but from that day his health began to fail. None of the doctors could find out what was the matter with him, but, in fact, he was suffering from internal abscesses, which ultimately caused his death. Not till after La Haie had fallen at Minden did he confess, It is he who was the cause of my illness, but I promised him not to tell.The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she saidDavid, Chardin, the celebrated genre painter, Van Loo, Grard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vige was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.But these were not the directions in which the guidance of Nature led most of her followers. It was not to a life of primitive simplicity and discomfort that Trzia and her friends felt themselves directed; no, the h?tel de Fontenay, in the rue de Paradis, and the chateau of the same name in the country were the scene of ceaseless gaiety and amusement. La Rochefoucauld, Rivarol, Chamfort, La Fayette, the three brothers de Lameth, all of whom were in love with their fascinating hostess; Mirabeau, Barnave, Vergniaud, Robespierre, Camille Desmoulinsall the leaders of the radical party were to be met at her parties, and most of them were present at a splendid entertainment given by the Marquis and Marquise de Fontenay to the Constituants at their chateau, and called, after the fashion of Rousseau, a fte la Nature.Fille dune sangsue, et sangsue elle-mme
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