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A company of the Khyber Rifles are quartered there in the old buildings and the officers' deserted bungalows; over all hangs an atmosphere of icy desolation and overpowering melancholy. Above our heads a flight of eagles wheeled against the sky.

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The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.And there, under the open sky, stands the crowning marvel of Ellora, the temple or Kailas, enclosed within a wall thirty metres high, pierced with panels, balconies, and covered arcades, and resting on lions and elephants of titanic proportions. This temple is hewn out of a single rock, isolated from the hill, and is divided into halls ornamented in high relief. Covered verandahs run all round the irregular mass in two storeys, reminding us, in their elaborate design, of the Chinese balls of carved ivory with other balls inside them. Nothing has been added or built on. The complicated architectureall in one piece, without cement or the smallest applied ornamentmakes one dizzy at the thought of such a miracle of perseverance and patience.
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THREE:The ugliest of these palaces is that of the Maharajah, with galleries of varnished wood, of which the windows overlooking the river are filled with gaudy stained glass. In the garden is a pagoda painted in crude colours crowned with a gilt cupola; the zenana has bright red walls striped with green, and in the grounds there is a cottage exactly copied from a villa in the suburbs of London.

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THREE:In the midst of the Lake of Immortality stands a marble temple with a roof and decorations of gold. All round the sacred lake palaces of delicate hue form a circle about the sanctuary, which glistens in the sun, its gilding and pale-tinted marbles reflected like the gleam of precious stones in the calm, sheeny, deeply transparent water.

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ONE:The guards' band played Indian tunes, to a measure I could not yet catch, and Strauss' waltzes very oddly accented. Suddenly the princess appeared,[Pg 84] in soft rose-pink lightly touched with blue. She wore a pearl necklace with slides of ruby and emerald, shoes thickly worked with gold, and a broad pink sash somewhat darker in colour than her silver-striped tunic.
FORE:In the shops the salesmen, to weigh their merchandise, had a strange collection of curious weightsdumps, rings, balls of copper, iron, or lead, stamped or inlaid with symbols and flowers; fragments of spoons to make up too light a weight, even pieces of wood; and they used them all with perfect readiness and never made a mistake.

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FORE:A tame white antelope was wandering about the garden of the old rajahs' palace, under a shower of gardenia-like flowers that hung by a stem[Pg 88] scarcely thicker than a thread. The whole of one avenue was strewn with this snow, on which the graceful little beast, with its large sad eyes, was feeding. Further on, under some other trees with red blossoms, stands a little mausoleum built by the prince over Jacky, his dog, "who was faithful and good."

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FORE:In the plain the sowars were performing an[Pg 280] Indian fantasia. Charging at a gallop, their wide sleeves flying behind them, they swept past like a whirlwind, aiming with their lances at a peg of wood stuck into the ground. Whenever it was speared there were frantic shouts and applause from a crowd of spectators, packed in the best places. In a cloud of dust, growing steadily thicker and hanging motionless over the riders, the performance went on, its centre always this same peg of wood, replaced again and again, exciting the enthusiasm of connoisseurs till the last ray of light died away.In the side streets the natives lay sleeping on the bare earth in the coolness of night. On every house were the spots of red paint that told how many of the inhabitants had died of the plague;[Pg 304] and the smaller the house the closer were the dabs of paint, almost framing the door with a chain of red spots.

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From the roof, consisting of terraces between cupolas, there is a view of many temples glorified in the golden sunset, and nearer at hand stand ten[Pg 123] imposing columns, very tallthe last remaining vestiges of the rajah's elephant-house.In the forecourt a cast-metal nymph presides over a sham-bronze fountain.As I was leaving, the fakir rose amid the cries of all the people, who clamoured for his blessing. He[Pg 246] silenced them by a sign, then laying one hand on my shoulder, after looking at my medalIn the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.

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