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A man by the roadside was mixing mud with[Pg 265] chopped straw; then when his mortar was of the right consistency he began to build the walls of his house between the four corner posts, with no tools but his hands. A woman and child helped him, patting the concrete with their hands until it began to look almost smooth.The man was dressed in blue and silver, his belt studded with four-anna pieces; hanging to his girdle was a whole array of small knives, sheaths, and boxes. With his sleeves turned up to his elbows, he fairly amazed me, conjuring away into the air eight rupees that filled his hand, and finding them again one by one in our pockets, bags, or plaids. He turned everything topsy-turvy, swaggered as if he were the master, and then went off, with his broad smile, to amuse other travellers.
THREE: ONE:All round the Royal Hill ancient buildings are piled in stages, the remains of still majestic magnificence. The thorn-brakes cover supporting walls as broad as crenellated terraces; fragments of light and fantastic architecture stand up from amid golden blossoms; tottering colonnades overhang tanks, all green at the bottom with a pool of brackish water.
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FORE:The actors spoke their parts like lessons, with a gesture only now and then, and invariably wrong;[Pg 229] and they all spoke and sang through the nose in an irritating voice pitched too high.

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FORE:Huge vultures were prowling about the place.[Pg 222] At our approach they flapped a little away, and then perching on a heap of stones preened their feathers with clumsy, ungraceful movements.

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FORE:Heavy coaches with solid wheels, hermetically covered with red stuff patterned with white, were bringing home the invisible but noisy ladies of the zenana.

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THREE:In an alley of the bazaar girls were lounging in hammocks hung to nails outside the windows, smoking and spitting down on the world below.
THREE:The road from Cawnpore to Gwalior makes a bend towards central India across a stony, barren tract, where a sort of leprosy of pale lichen has overgrown the white dust on the fields that are no longer tilled. There is no verdure; mere skeletons of trees, and a few scattered palms still spread their leaves, protecting under their shade clumps of golden gynerium.In the plain, beyond shady avenues of tamarind and terminalia trees, Hardwar begins again, a second town of large buildings, buried in the greenery of banyans and bamboos. Here again was the ghost of a bazaar, where all seemed dead under the bleaching suna bazaar bereft of sellers, no one in the booths, and no buyers in the deserted streets.
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THREE:We went into the observatory, where the servants were sleeping in the open air on camp beds, lying across each other and blocking the entrance.[Pg 177] I went to gaze at the north star, looking very small, a tiny spangle of blue in the blue velvet sky, visible at the top of a crazy flight of steps that goes up to nowhere in the air from the topmost terrace.
THREE:In the hotel compoundmore absurd than all the rest, lost in a waste of open land beyond the seething native townthere was a swarm of coolie servants, their wives and their children, who played all day at climbing about the coaches put up under the trees. And, without ceasing, a maddening hubbub of laughter and crying came up from this litter of brats, more weariful than the silence of vacancy all around.
THREE:
THREE:The cathedral, embowered in shrubs and tall banyans, stands on a square, where a pedestal awaits the bust of Dupleix.
THREE:The country was nowhere deserted. Labourers in the rice-fields were transplanting the young seedlings or watering the taller growth that waved in delicate transparent verdure. Or again, there were the watchers perched on their platforms in the middle of the fields; fishermen pushing little nets before them, fastened to triangular frames, or grubbing in the mud in search of shell-fishsmall freshwater mussels, which they carried away in clay jars of Etruscan form. A motley crowd, with animated and graceful gesticulations; the women red or white figures in fluttering sarees, with flowers in their hair, and a few glittering bangles on their arms; the children quite naked, with bead necklaces and queer charms of lead or wood in their ears or their nose; the men slender and active, wearing light-coloured turbans made of yards on yards of twisted muslin, their brown skin hidden only by the langouti or loin-cloth.

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FORE:The ancient palace of the kings of Lahore. Amid the ruins there is a mosque of red stone flowered[Pg 236] with white marble, the cupola of a material so milky that it might be jade; and the structure is mirrored in a pool of clear water, dappled with sun-sparks over the rose-coloured stones at the bottom.The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

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FORE:"Yes, I know. How much?"These gentlemen of the Civil Service would put in an appearance "now and then"the eternal "now and then" that answers every question in India. They stepped out of a buggy, walked quickly round, had seen, and were gone again in a great hurry to finish some important work for the next European mail.

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FORE:Soldiers, bristling with daggers and pistols in their belts, are on guard at the gate. Pikes and long muskets stand piled in the background; over this arsenal, flowering jasmine and convolvulus with enormous bell flowers hang their graceful shade.

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FORE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.

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Every house in the town was shuttered, not a soul was to be seen in the baked streets; only here and there in a shady corner a beggar might be seen asleep. A chigram only was slowly moving along at the slow pace of two draught oxen, carrying the women of a zenana, and their constant chatter[Pg 300] within the curtains of the clumsy vehicle sounded formidably loud and discordant in the silence, the death-like exhaustion of noon. A foxy smell came up from everything that the sun was baking, and towards the end of the day it had become intolerable, corpse-like. It died away, however, after sunset.Outside the town the carriage went on for a long time through a poverty-stricken quarter, and past plots of ground dug out for the erection of factories. Fragile flowers, rose and lilac, bloomed in the shade of banyans and palm trees. Hedges of jasmine and bougainvillea, alternating with rose trees, scented the air. Then we came to Parel, a suburb where, in a spacious enclosure, stands the hospital for infectious diseases. It is a lofty structure of iron, the roof and walls of matting, which is burnt when infected with microbes, and which allows the free passage of the air. In spite of the heat outside it was almost cool in these shady halls.And so, on both sides of the way there are rice-fields without end; those that were reaped yesterday are ploughed again to-day.
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