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The old king is at once cured; he embraces his sons again and again. After this emotion the first thing he remarks is the new palace that has sprung from the ground exactly opposite his own.Then, as it began to grow a little cool, the inquiry was continued indoors, whither the table was removed with the papers and the weapons, and, with great care, the magistrate's "soda." The two culprits were brought in and out, and in and out again, sometimes alone, sometimes to be confronted with the witnesses, who, almost all of them, had the fresh stains of the festival on their garments.Two days after, the people would burn in great state, on an enormous wood pile, an image of Time, to ensure the return next year of the festival of colours.
Slider 1 ONE:The old palace of the kings is now yellow-ochre, coated with plaster and lime-wash over the splendid antique marble walls.As the sun sank the citadel absorbed the gold and purple glory, and looked as though it were of some translucent half-fused metal; the towers and temples with their decoration of tiles blazed[Pg 204] against the pure sky. High over Mandir a little balcony with spindle columns, overhanging the precipice at a giddy height, caught the last rays of Surya, and flashed with a gem-like gleam above Gwalior, which was already shrouded in the blue haze of night.

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Slider 2 ONE:A Sikh, an old soldier, not long since bought a few acres of land; to pay for it he produced 800[Pg 281] rupees in silver, and on his wives, whom he brought with him, were 3000 rupees' worth of jewels.

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Slider 3 ONE:

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ONE:

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THREE:The fog seemed to turn to solid smoke, impenetrably black, wrapping us in darkness which was suddenly rent by a red flash, blood-red, ending in a green gleam. The mist retained a tint of sulphurous copper for some time; then a second flash, and far away among the lurid clouds we had a glimpse of the Himalayas, pallid purple with green shadows against an inky sky. The[Pg 254] thunder, deadened by the masses of snow and very distant, rolled to and fro with a hollow sound, frightening the horses which struggled uphill at a frantic pace. And the dense fog closed round us once more, a dark green milkiness streaked with snow, which was falling in large flakes formed of four or five clinging together like the petals of flowers. Then it hailed, which completely maddened the horses, and then again snow, and it was literally night at ten in the morning when at last we reached this spot and the shelter of a bungalow.

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THREE:In the bazaar a light, glossy cheetah was being led round for an airing. The beast had on a sort of hood of silk stuck with peacock's feathers, which its keeper pulled down over its eyes when it saw a prey on which it was eager to spring; and with its eyes thus blinded, it would lick the hand that gave it an anna with a hot tongue as rough as a rasp.The little palace of Nilam Bagh, panelled inside throughout with carved wood, looks like a jewel-casket dropped in a vast park of green shade and[Pg 85] broad lawns. Rawl Shri Bhaosinhji, Rajah of Bhawnagar, is very young, almost a child, and still very shy, dressed in the European fashion in a long grey overcoat, with a voluminous turban of turquoise-blue gauze.

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THREE:And at this day the high road passes Secundra Bagh in ruins, and on the ground where Nana Sahib's soldiers fell, huge flowers are strewn of "flame of the forest" fading into hues of blood.

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THREE:As we returned past a villagea hamlet of houses gathering round a well surmounted by a kiosk shading a gaudy idol crowned with red[Pg 176] pinksa perfectly naked fakir, his straight black hair bound twice round his head like a turban, stood basking in the sun, leaning against a wall, and chanting in a rapid monotone, while two babies, under the shade of a fan-palm leaf, stared up at him and sucked their thumbs.

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ONE:And from every stone, and in the rifts in the rocks, hung stalactites, like glittering icicles, and these too were of salt.

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THREE:[Pg 270]

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ONE:

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THREE:A fortified wall encloses Lashkar, the residence of the Maharajah of Gwalior; the bridges, which form part of the enclosure crossing the river that flows through the estate, have thick bars filling up the arches.

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THREE:And, quite unexpectedly, as we turned a corner beyond the coppersmiths' alley, we came on a row of tea-shops, displaying huge and burly china jars. Chinamen, in black or blue, sat at the shop doors in wide, stiff armchairs, their fine, plaited pigtail hanging over the back, while they awaited a customer with a good-humoured expression of dull indifference.[Pg 228]

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THREE:On the landing-stage we read in large letters: "Beware of sunstroke," and lower down, "Avoid it by buying the best umbrellas and the best pith helmets of John Dash." The streets are the commonplace highways of a commercial town; the houses tall, with shops below. Dust and light alike were blinding; jinrickshaws were passing to and fro, drawn by almost naked coolies running as fast as horses.

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THREE:He interrupted me:DARJEELING

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TWO:[Pg 110]

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TWO:Still the tonga; uphill and down, over the hilly country, with a horizon of dull, low mountains, and the horses worse and worse, impossible to start but by a storm of blows. Towards evening a particularly vicious pair ended by overturning us into a ditch full of liquid mud. The sais alone was completely immersed, and appealed loudly to Rama with shrieks of terror. Abibulla on his part, after making sure that the sahibs and baggage were all safe and sound, took off his shoes, spread his dhoti on the ground, and made the introductory salaams of thanksgiving to the Prophet, while the coolie driver returned thanks to Rama."I shall pay as much as I can myself, and by-and-by my son will earn money, and we shall pay between us."

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We saw the Jasmine tower from a corner of the garden in the glow of sunset. With its gilt cupola blazing in the low beams, its amber-hued walls as transparent as melting wax, and its pierced screen-work, it looked so diaphanous, so fragile, that it might be carried away by the evening breeze. And beyond the pavilion, above the ramparts carved with huge elephants, lies the old Hindoo palace, deserted by Jehangir for his house of pale marblesan endless palace, a labyrinth of red buildings loaded to the top with an agglomeration of ornament supporting flat roofs. And pagodas that have lost their doors, a work of destruction begun by Aurungzeeb. One court is still intact, overhung by seventy-two balconies, where the zenana could look on at the dancing of bayadres. Perfect, too, is the queen's private apartment, with two walls between which an army kept guard by day and by night.And this morning I had seen in the place of Akbar or Jehangir, a sturdy, blowsy soldier, in his red coatee, his feet raised higher than his head, spread out in his wicker deck-chair, and reading the latest news just brought by the mail from Europe.A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.In a dirty stable, strewn with withered plants, stood some forlorn, sickly-looking beasts, the sacred bulls of Madura.
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