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ONE:Theres no amphibian in sight, though! Dick murmured. I wonder[Pg 127]
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TWO:A footrace against a flying ship was novel enough; but the maneuver of the amphibian was still more strange. It was baffling to Sandy.Still more have "The Seasons" and "The Castle of Indolence" of James Thomson retained, and are likely to retain, the public favour. "The Seasons" is a treasury of the life and imagery of the country, animated by a true love of Nature and of God, and abounding in passages of fire, healthy feeling, and strong sense, often of sublime conceptions, in a somewhat stiff and vicious style. "The Castle of Indolence" is a model of metrical harmony and luxurious fancy, in the Spenserian stanza. Another poet of the same time and countryScotlandis Allan Ramsay, who, in his native dialect, has painted the manners and sung the rural loves of Scotland in his "Gentle Shepherd" and his rustic lyrics. Till Burns, no Scottish poet so completely embodied the spirit, feelings, and popular life of his country. Amongst a host of verse-makers, then deemed poets, but who were merely imitators of imitators, we must except Gray, with his nervous lyrics, and, above all, his ever-popular "Elegy in a Country Churchyard." Gray also has a genuine vein of wit and merriment in his verse. Collins was a poet who under happier conditions might have done the greatest things. Parnell's "Hermit," Blair's "Grave," Shenstone's "School Mistress," Akenside's "Imagination," can yet charm some readers, and there are others in great numbers whose works yet figure in collections of the poets, or whose individual poems are selected in anthologies, as Smith, King, Sprat Bishop of Rochester, Duke, Montague Earl of Halifax, Nicholas Rowe, Dyerauthor of the "Fleece," "Grongar Hill," and "Ruins of Rome,"Sheffield, Duke of Buckinghamshire, Fenton, Somervilleauthor of "The Chase," "Field Sports," etc.,Hammondauthor of "Love Elegies,"Lord Lyttelton, Mallet, Mickleauthor of the ballads of "Cumnor Hall," "There's Nae Luck about the House," and translator of the "Lusiad" of Camoens,Shaw, Harte, West, Cawthorne, Lloyd, Gilbert Cooper, Graingerauthor of "The Sugar Cane," and the once popular ballad of "Bryan and Pereene,"Dodsley, poet and bookseller, Boyseauthor of "The Deity," a poem, etc.,Smollettmore remarkable as a novelist and historian,Michael Bruce, Walsh, Falconerauthor of "The Shipwreck,"Yalden, Pattison, Aaron Hill, Broome, Pittthe translator of Virgil,John Philipsauthor of "Cider," a poem, "The Splendid Shilling," etc.,West, and others. In fact, this age produced poets enough to have constituted the rhythmical literature of a nation, had they had as much genius as they had learning.

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TWO:What did you discover, Dick?

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TWO:At this moment the horse which George II. was riding, taking fright at the noise made by the French in their advance, became unmanageable, and plunged forward furiously, nearly carrying the king into the midst of the French lines. Being, however, stopped just in time, the king dismounted, and placing himself at the head of the British and Hanoverian infantry on the right, he flourished his sword and said, "Now, boys! now for the honour of England! Fire, and behave bravely, and the French will soon run!"

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TWO:Then he mounted the horse the orderly held for him, and trotted off.But the shrinking of metal had made intermittent noises, sharp and not repeated.

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TWO:He made as if to kick the bottle away, but quick as a flash she was on her feet and facing him.
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THREE:Amphibian? You know the different types, eh? May I ask if you belong around here, and if not, how you got hereand who took the phib?Daemonism, however, does not fill a very great place in the creed of Plutarch; and a comparison of him with his successors shows that the saner traditions of Greek thought only gradually gave way to the rising flood of ignorance and unreason. It is true that, as a moralist, the philosopher of Chaeronea considered religion of inestimable importance to human virtue and human happiness; while, as a historian, he accepted stories of supernatural occurrences with a credulity recalling that of Livy and falling little short of Dion Cassius. Nor did his own Platonistic monotheism prevent him from extending a very generous intellectual toleration to the different forms of polytheism which he found everywhere prevailing.395 In this respect, he and probably all the philosophers of that and the succeeding age, the Epicureans, the Sceptics, and some of the Cynics alone excepted, offer a striking contradiction to one of Gibbons most celebrated epigrams. To them the popular religions were not equally false but equally true, and, to a certain extent, equally useful. Where Plutarch drew the line was at what he called Deisidaimonia, the frightful mental malady which, as already mentioned, began to afflict Greece soon after the conquests of Alexander. It is generally translated superstition, but has a much narrower meaning. It expresses the beliefs and feelings of one who lives in perpetual dread of provoking supernatural vengeance, not254 by wrongful behaviour towards his fellow-men, nor even by intentional disrespect towards a higher power, but by the neglect of certain ceremonial observances; and who is constantly on the look-out for heaven-sent prognostications of calamities, which, when they come, will apparently be inflicted from sheer ill-will, Plutarch has devoted one of his most famous essays to the castigation of this weakness. He deliberately prefers atheism to it, showing by an elaborate comparison of instances that the formerwith which, however, he has no sympathy at allis much less injurious to human happiness, and involves much less real impiety, than such a constant attribution of meaningless malice to the gods. One example of Deisidaimonia adduced by Plutarch is Sabbatarianism, especially when carried, as it had recently been by the Jews during the siege of Jerusalem, to the point of entirely suspending military operations on the day of rest.396 That the belief in daemons, some of whom passed for being malevolent powers, might yield a fruitful crop of new superstitions, does not seem to have occurred to Plutarch; still less that the doctrine of future torments of which, following Platos example, he was a firm upholder, might prove a terror to others besides offenders against the moral law,especially when manipulated by a class whose interest it was to stimulate the feeling in question to the utmost possible intensity.