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THREE:She had a large picture painted by Boucher, in which all her grandnephews were represented as Cupids, with nothing on but the Order of the Grand Cross of Malta, to show their right to belong to it. None of the family could look at or speak of it with gravity. But what was a more serious matter was her passion for stealing relics and objects of religious value. She even mixed one into a medicine for her son, the Duc d��Ayen, when he had the measles. This had been lent her by some nuns, who of course could never get it back again. The nuns were very angry, so were the Archbishop of Paris and the Bishop of Chartres; she had also stolen a beautiful chalice and they refused to give her the Holy Communion. Her [177] family were much disturbed and had considerable trouble in getting her out of the difficulties and trying to hush up the affair.She made one or two journeys to Holland and Belgium when she wished for a change, but in 1775 a terrible grief overtook her, in the death of her son, now five years old. The children were living near, and her mother was then with them when she herself caught measles, and as often happens when they are taken later in life than is usual, she was extremely ill, and it was impossible to tell her that her children had the same complaint.

THREE:How the Duchess could ever consent to and approve of her children being entirely given up to the care of a woman whose principles were absolutely opposed to her own, is astonishing indeed; and perhaps it is still more so that for many years she did notice the infatuation of her husband, and the vast influence Mme. de Genlis had over him. But her eyes had at last been opened, Mme. de Genlis declares, by a Mme. de Chastellux, who was her enemy, and was jealous of her. However that might be with regard to the connection between Mme. de Genlis and the Duc d��Orl��ans, no enlightenment was necessary about the Bastille, the Cordeliers Club, and other revolutionary proceedings. That was surely quite enough; besides which the Duchess had long been awakened to the fact that the governess about whom she had been so infatuated had not only carried on an intrigue with and established an all-powerful influence over her husband, but had extended that influence also over her children to such an extent [421] that her daughter at any rate, if not her two elder sons, probably preferred her to their mother.

THREE:She made one or two journeys to Holland and Belgium when she wished for a change, but in 1775 a terrible grief overtook her, in the death of her son, now five years old. The children were living near, and her mother was then with them when she herself caught measles, and as often happens when they are taken later in life than is usual, she was extremely ill, and it was impossible to tell her that her children had the same complaint.

THREE:Mme. Le Brun was asked by several persons of importance to repeat this supper, but always declined.as she sang these words she laid her hand upon [61] her heart and, turning to the Queen��s box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte d��Artois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the King��s carriage with a gun upon his shoulder.