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A little way off an old man was wrapping the naked body of a poor woman in a white cloth; then he fastened it to two poles to dip it in the river; finally, with the help of another Sudra, he laid the corpse on a meagre funeral pile, and went off to fetch some live charcoal from the sacred fire which the Brahmins perpetually keep alive on a stone terrace overlooking the Ganges. He carried the scrap of burning wood at the end of a bunch of reeds, and, praying aloud, walked five times round the pyre, which completely concealed the body. Then he gently waved the bunch of reeds, making them blaze up, and placed them beneath the wood, which slowly caught fire, sending up dense curling clouds of white vapour and slender tongues of flame, creeping along the damp logs that[Pg 167] seemed to go out again immediately. But suddenly the fire flared up to the top of the pile; the flesh hissed in the flame, and filled the air with a sickening smell.[Pg 270]
Collect from 一本一道久久爱综合无码_一本道久久综合久久88黑鬼_久草大香蕉 偷拍_一本一道久和
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THREE:"You know it is pashmina?"The road goes on. Trees cast their shade on the flagstone pavement, but between the houses and through open windows the sandy plain may be seen, the endless whiteness lost in a horizon of dust.

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THREE:In the distance we heard a sound of pipes, and the merchant hastened out to call the nautch-girls, who began to dance in the street just below us, among the vehicles and foot-passengers. There were two of them; one in a black skirt spangled with silver trinkets, the other in orange and red with a head-dress and necklace of jasmine. They danced with a gliding step, and then drew themselves up with a sudden jerk that made all their frippery tinkle. Then the girl in black, laying her right hand on her breast, stood still, with only a measured swaying movement of her whole body, while the dancer in yellow circled round, spinning as she went. Next the black one performed a sort of goose-step with her feet on one spot, yelling a so-called tune, and clacking her anklets one against the other. Then, after a few high leaps that set her saree flying, the dance was ended; she drew a black veil over her head, and turned with her face to the wall. The other boldly asked for backsheesh, held up her hands, and after getting her money, begged for cakes and sugar.

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THREE:Under each plate, a large square cut out of a banana leaf serves as a finger-napkin. Innumerable are the dishes of sweetmeats made with ghee (clarified butter), the scented ices, the highly-coloured[Pg 18] bonbons; while the young couple walk round the rooms, and hang garlands of flowers about the necks of the feasters.

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THREE:Out in the street a woman, bare-backed, was submitting to be brushed down the spine by a neighbour with a brush of cuscus; she scorned to answer me when I asked whether she felt better, but shutting her eyes desired the operator to go on more slowly.
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THREE:The elephant of ceremony, covered with a velvet cloth embroidered with gold, on which was placed a massive silver howdah edged with gold, was in waiting to take me for a ride. Round the beast's neck hung a huge necklace of balls as large as apples and long pendants from his ears, all of silver, tinkling as he moved and glittering in the sun. The mahout rested a ladder against the elephant's head for me to mount by, and we set out, following the Rajah and escorted by sowars, to the very modern tennis club of Palitana.

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THREE:A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.The last train gone, all round the station there was quite a camp of luckless natives lying on the ground, wrapped in white cotton, and sleeping under the stars, so as to be nearer to-morrow to the train[Pg 20] which, perhaps, might carry them away from the plague-stricken city.

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THREE:A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.The Rajah's residence, of plaster like the rest of the town, is pink too outside, but the interior is aggressive with paint of harsh colours. In the living rooms is shabby furniture, gilt chairs turned one over the other, as on the day after a ball. The curtains over the doors and windows are of silk,[Pg 214] but frayed and threadbare. In the shade of a marble court with carved columns, clerks are employed in counting moneyhandsome coins stamped with flowers and Indian characters, laid out in rows. They count them into bags round which soldiers mount guard.
They were clad in colourless rags, matted and grizzled hair hung about their pain-stricken faces. The woman was the more delicate, her bones smaller and less knotted than those of the man, whose joints were gnarled, his scraggy knees forming thick bosses of bone above his shins. They threw themselves like hungry animals on some cooked grain which Abibulla brought out for them, and then, with scared looks all round, they went quickly away, as quickly as they could with halting, weary feet, without even saying thank-you.At the very top of the incline, the enclosing wall, black with age but bright with yellow velvet moss, rises precipitously above the plain, and three light balconies, with columns as slight as flower-stems,[Pg 77] crowned with pointed roofs recurved at the angles, overhang the abyss.Afternoon, in the bazaar, in the warm glow of the sinking sun, wonderfully quiet. No sound but that of some workmen's tools; no passers-by, no shouting of voices, no bargaining. A few poor people stand by the stalls and examine the goods, but the seller does not seem to care. Invisible guzlas vibrate in the air, and the piping invitation of a moollah falls from the top of a minaret.
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