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iPhone欧美一级高清_iPhone欧美高清一级一18_ins欧美色调_iph0he欧美高清一级

Two days later the roofs were covered with tulips of sheeny white and red, as light as feathers swaying on their slender stems; and the crowd, all in bright colours, went about in muslins in the clean, dry streets. Only a few very pious persons still wore the garments stained at the festival.

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Cymbals and kettle-drums formed the orchestra, reinforced by the shrill cries and strident laughter of the spectators.Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.In one tent there was a display of innumerable gilt images, very suggestive of Jesuit influence��mincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.

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TWO:In the bazaar a light, glossy cheetah was being led round for an airing. The beast had on a sort of hood of silk stuck with peacock's feathers, which its keeper pulled down over its eyes when it saw a prey on which it was eager to spring; and with its eyes thus blinded, it would lick the hand that gave it an anna with a hot tongue as rough as a rasp.The actors spoke their parts like lessons, with a gesture only now and then, and invariably wrong;[Pg 229] and they all spoke and sang through the nose in an irritating voice pitched too high.

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FORE:In the hotel compound��more absurd than all the rest, lost in a waste of open land beyond the seething native town��there was a swarm of coolie servants, their wives and their children, who played all day at climbing about the coaches put up under the trees. And, without ceasing, a maddening hubbub of laughter and crying came up from this litter of brats, more weariful than the silence of vacancy all around.

FORE:But this suburb is now no more than a heap of huts and hovels. The tombs, ruined and overthrown, are few and far apart, heaped with sand, and showing as arid hillocks amid the level of withered grass. The plain beyond, laid out in rice-fields of a tender green, furrowed with silver streamlets, spreads unbroken to the foot of a huge wall of the hue of red gold enclosing a hill; and on[Pg 99] entering the precincts, behold, in the bays of the thickness of the wall, a whole village where dwell the families of the soldiers who guard this citadel.The Jumna Musjid, in the middle of the bazaar, is a reminder of the mosque at Cordova. A thousand[Pg 63] unmatched columns stand in utter confusion of irregular lines, producing a distressing sensation of an unfinished structure ready to fall into ruins. Every style is here, and materials of every description, brought hither��as we are told by the inscription engraved over one of the lofty pointed doorways��from the temples of the unbelievers destroyed by Shah Mahmoud Bogarat, the taker of cities, that he might, out of their remains, raise this mosque to the glory of Allah. In the centre of the arcade a large flagstone covers the Ja?n idol, which was formerly worshipped here; and my servant Abibulla, as a good Moslem, stamped his foot on the stone under which lies the "contemptible image." Some workmen were carving a column; they had climbed up and squatted balanced; they held their tools with their toes, just chipping at the marble in a way that seemed to make no impression, chattering all the time in short words that seemed all of vowels.

FORE:"Export business!" says Abibulla.

FORE:All round the Rajah's palace crowds a town of palaces, mosques, and temples dedicated to Vishnu; and outside the walls, on a plain lying between the hills of Amber, is another town, still thick with ruins amid the forest of encroaching trees. And it is all dead, deserted, dust-coloured, unspeakably sad, with the sadness of destruction and desertion in the midst of a landscape gorgeous with flowers and groves. In the palace of Amber, guides make a good[Pg 216] business of showing us the public rooms, baths, and bedrooms, all restored with an eye to the tourist. In the gardens, heavy with perfume, the trees display swinging balls of baked earth full of holes, which protect the ripening fruit from the monkeys; a whole tribe of them scampered off at our approach, and went to torment the peacocks that were solemnly promenading a path, and that presently flew away.

FORE:

FORE:KOHAT

FORE:A man in the fort always struck out the hours on a gong, very slowly, in the heat of the day. Twelve at noon was interminable��one, two, three were so feeble as to be scarcely audible. And then when it was cooler and the tom-toms could be heard in the distance, the strokes had a queer dislocated rhythm, and sometimes even a stroke too many, smothered in a hurried roll.

FORE:In front of the palace, beds filled with common plants familiar in every European garden fill the place of honour; they are very rare, no doubt, in[Pg 54] these latitudes, and surprising amid the gorgeous hedges of wild bougainvillea that enclose the park.

FORE:

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Inside the mausoleum numberless lustres hang from the roof, and fine large standing lamps with crystal pendants burn round two tombs covered with antique hangings and wreathed with jasmine; beneath these lie the two last kings of Oudh. Small models of two famous mosques, one in gold and one in silver, are placed on the tombs, round which a whole regiment of obsequious moollahs and beggars mount guard. On the walls childish paintings, representing scenes of the Anglo-Indian conflict, alternate with mirrors in gilt frames, and silk standards exquisitely faded, embroidered with dim gold and silver, and surmounted by tridents.At night the sound of a remote tom-tom attracted me to a large square shaded by giant trees. In a very tiny hut made of matting, a misshapen statue of Kali, bedizened with a diadem, a belt, nanparas, and bangles made of beads and gold tinsel, stood over a prostrate image in clay of Siva, lying on his back. In front of this divinity, under an awning stretched beneath the boughs of a banyan tree, two nautch-girls in transparent sarees were dancing a very smooth sliding step to the accompaniment of two bagpipes and some drums. The Hindoo spectators sat in a circle on the ground��a white mass[Pg 142] dimly lighted by a few lanterns��and sang to the music a soft, monotonous chant.

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