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FORE:They went to live at the ancient castle of Chimay, [110] where they led an intellectual and splendid life, surrounded by the great artists, musicians, and literary men of the day, and by many devoted friends. They spent their winters in Brussels, but a bitter drop in T��r��zia��s cup of happiness was the absolute refusal of the King and Queen to receive her at court. The Prince, who was the King��s Chamberlain, had to go without her.David turned pale, made his escape, and for a long time would not go to the house for fear of meeting her. [49] She was afterwards told by Gros that David would like to go and see her, but her silence expressed her refusal. Soon after the return of Mme. Le Brun, Napoleon sent M. Denon to order from her the portrait of his sister, Caroline Murat. She did not like to refuse, although the price given (1,800 francs) was less than half what she usually got, and Caroline Murat was so insufferable that it made the process a penance. She appeared with two maids, whom she wanted to do her hair while she was being painted. On being told that this was impossible, she consented to dismiss them, but she kept Mme. Le Brun at Paris all the summer by her intolerable behaviour. She was always changing her dress or coiffure, which had to be painted out and done over again. She was never punctual, and often did not come at all, when she had made the appointment; she was continually wanting alterations and giving so much trouble, that one day Mme. Le Brun remarked to M. Denon, loudly enough for her to hear��

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FORE:How the Duchess could ever consent to and approve of her children being entirely given up to the care of a woman whose principles were absolutely opposed to her own, is astonishing indeed; and perhaps it is still more so that for many years she did notice the infatuation of her husband, and the vast influence Mme. de Genlis had over him. But her eyes had at last been opened, Mme. de Genlis declares, by a Mme. de Chastellux, who was her enemy, and was jealous of her. However that might be with regard to the connection between Mme. de Genlis and the Duc d��Orl��ans, no enlightenment was necessary about the Bastille, the Cordeliers Club, and other revolutionary proceedings. That was surely quite enough; besides which the Duchess had long been awakened to the fact that the governess about whom she had been so infatuated had not only carried on an intrigue with and established an all-powerful influence over her husband, but had extended that influence also over her children to such an extent [421] that her daughter at any rate, if not her two elder sons, probably preferred her to their mother.

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FORE:��Mordieu! no.��IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.

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