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Besides the immense number of her friends and acquaintance of later years, she kept up faithfully those of her early days. Her old fellow student, Mlle. Boquet, had given up the profession in which she was getting on so well, and married a M. Filleul, whom the Queen had made her concierge de la Muette. [31]

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The Duchesse dAyenBirth and death of her sonsHer five daughtersTheir education at homeSaintly life of the DuchessMarriage of her eldest daughter to the Vicomte de NoaillesOf the second to the Marquis de la FayetteOf the Dauphin to the Archduchess Marie AntoinetteThe Comtesse de NoaillesMarriages of the Comtes de Provence and dArtois to the Princesses of SardiniaDeath of Louis XV.Unhappy marriage of the third daughter of the Duc dAyen to the Vicomte du RoureAfterwards to Vicomte de ThsanPaulette and Rosalie de NoaillesAdrienne de la FayetteRadical ideas of the Vicomte de Noailles and Marquis de la FayetteDispleasure of the family and the KingLa Fayette and de Noailles join the American insurgentsGrief and heroism of AdrienneMarriage of Pauline to the Marquis de Montagu.Mme. de Genlis made a great display of disinterestedness, she refused the 20,000 francs a year offered her by the Duke as governess to his children, declaring that she would educate them for nothing; she refused also the diamonds sent by the Duke and Duchess as a wedding present to her daughter, neither of which refusals there was the slightest occasion to make, but theatrical, unnecessary things were always what she preferred to do. And at the same time she and her family were becoming very rich. Of course her books, bought by all her friends at court, in society, and everywhere, brought her a good deal, but she always had money for everything she wanted. She was promised for her eldest daughter on her marriage, her own former place at the Palais Royal, and a regiment for her son-in-law, her relations were placed and provided for, and she, of course, lived in state and luxury with the Orlans children, amongst whom her own were educated.
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  • THREE:In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.

    But this denouncing pleasure and praising

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  • THREE:It was in the days when the Queen was giving ftes at Trianon, when the court quarrelled about the music of Gluck and Piccini, and listened to the marvels related by the Comte de Saint-Germain, when every one talked about nature, and philosophy, and virtue, and the rights of man, while swiftly and surely the Revolution was drawing near.

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THREE:Mons was full of soldiers, they could only get bad rooms in the inn, and in the night Mademoiselle dOrlans, who slept in Mme. de Genliss room, did nothing but cough and moan. Going into the adjoining room to tell her niece, Mme. de Genlis found her in the same state; the girls had both got measles.
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THREE:The last time Mme. Le Brun saw the Queen was at the last ball given at Versailles, which took place in the theatre, and at which she looked on from one of the boxes. She observed with indignation the rudeness of some of the young Radical nobles; they refused to dance when requested to do so by the Queen, whose agitation and uneasiness were only too apparent. The demeanour of the populace was becoming every day more ferocious and alarming; the drives and streets were scarcely safe for any but the lower classes. At a concert given by Mme. Le Brun, most of the guests came in with looks of consternation. They had been driving earlier in the day to Longchamps, and as they passed the barrire de ltoile, a furious mob had surrounded and insulted everybody who passed in carriages. Villainous looking faces pressed close to them, horrible figures climbed on to the steps of the carriages, crying out, with infamous threats and brutal language, that next year they should be in the carriages and the owners behind them.Young and unknown, he had been present with Bourrienne on the 20th June, and seen the raving, frantic mob rushing upon the Tuileries. He followed with Bourrienne in a transport of indignation, and saw with contempt Louis XVI. at the window with a red cap on. He exclaimed

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THREE:As to her writings, then so much in vogue, they were mostly works intended either to explain, assist, or illustrate the system of education which was the hobby of her life and which, if one may judge by Adle et Thodore, one of the most important of her tales, can only be called preposterous.It was very difficult just then to get money from France, and she had even to advance some for Mademoiselle dOrlans. Remembering what had happened to La Fayette, she was very much afraid of falling into the hands of the Austrians; on the other hand she could not go into France [437] without a permission, which she was silly enough to ask for, but luckily for herself, could not get.

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FORE:A curious story is told, that at the time when Louis XIV. was building the palace of Versailles, his then all-powerful mistress, Mme. de la Vallire, said to him that he must, according to the custom, have the horoscope cast of the palace. He laughed at her superstition, but told her he would leave the matter to her. She accordingly consulted an astrologer, who said, After a hundred years the kings of France will leave Versailles.

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FORE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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FORE:The Greatest Names in FranceThe Marchale de NoaillesStrange proceedingsDeath of the DauphinOf the DauphineOf the QueenThe Children of FranceLouis XIV. and Louis XV.

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FORE:Henceforth the journey was a pleasure, and with [89] feelings of admiration and awe she gazed upon the magnificent scenery as she ascended the mighty Mont Cenis; stupendous mountains rising above her, their snowy peaks buried in clouds, their steep sides hung with pine forests, the roar of falling torrents perpetually in her ears.

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    FORE:Arnault, in his memoirs, relates that he was brought up at Versailles, where he was at school from 1772 to 1776, and often saw Louis XV. pass in his carriage. The King had a calm, noble face and very thick eyebrows. He took not the slightest notice of the shouts of Vive le roi from the boys drawn up in a line, or from the people; neither did Louis XVI. when he succeeded him.

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    FORE:

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    FORE:Il en avait trois grises,The Louvre, then filled with works of artthe [148] plunder of the rest of Europewas naturally a great attraction, in fact so absorbed was Lisette in the wonders it contained that she was shut in when it closed, and only escaped passing the night there by knocking violently at a little door she discovered. The aspect of Paris depressed her; still in the streets were the inscriptions, Liberty, Equality, and Fraternity, which in France bore so horrible a meaning. Many of the friends for whom she inquired had perished on the scaffold; nearly all who survived had lost either parents, husband, wife, or some other near relation. The change in dress gave her a gloomy impression; the absence of powder, which she was accustomed to see in other countries, the numerous black coats which had displaced the gorgeous velvets, satin, and gold lace of former daysin her opinion made a theatre or an evening party look like a funeral; the manners and customs of the new society were astonishing and repulsive to her.

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    FORE:The hand of Charlotte Corday had sent Marat to his own place; Danton and Camille Desmoulins, beginning to have some slight glimmerings of mercy and humanity, had been denounced and executed; Robespierre was still triumphant, with his friends and satellites, Couthon, St.-Just and David. With them and Foulquir-Tinville, Paris was like hell upon earth. Long lists of victims, numbers of whom were women, went every day to the guillotine; the populace were getting weary of blood and slaughter. Again Tallien [331] made an attempt to get the release of Trzia, even suggesting that it was time to stop the murder of women. Even David agreed; but Robespierre was inexorable.

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    FORE:It was Tallien.

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But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness.Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit.account of the system.

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Et Lisette les coutait.Mme. de Tess died in 1813, only a week after the death of her husband, without whom she said that she did not think she could live.IT will not be possible in a biography so short as this, to give a detailed account of the wandering, adventurous life led by Mme. de Genlis after the severance of her connection with the Orlans family.But, except in cases of absolute political necessity and at the entreaty of him, who was now not only her uncle and adopted father, but her king, the Duchesse dAngoulme would receive no one who had in any way injured her mother. She would have nothing to do with Mme. de Stael, and would not even receive Mme. Campan, because she did not believe she had been always thoroughly loyal to her; though in that many people said she was mistaken. Mme. Campan, in her memoirs, professes the greatest affection and respect for her royal mistress, and during the Empire, she always kept in her room a bust of the Queen.
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