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One of her new friends was the Countess Kinska, who, as she observed, was neither maid, wife, nor widow, for she and her husband had been married according to their parents arrangement, without ever having seen each other, and after the ceremony Count Kinska, turning to her, saidHowever they were none of them in the same danger that she would have been had she remained at Paris. None of them were at all conspicuous, and as far as any one could be said to be tolerably safe in France under the new reign of Liberty, Equality, and Fraternity, they might be supposed to be so.
ONE:A fortnight after the marriage she no longer cared about her husband, and soon afterwards she caught the small-pox.
TWO:Those of her friends who were Radicals blamed Lisette for going, and tried to dissuade her. Mme. Filleul, formerly Mlle. Boquet, said to her 更多 »
TWO:After a very few months she married the Marquis de la Haie, who had been the page and then the [355] lover of the infamous Duchesse de Berri, eldest daughter of the Regent dOrlans.
TWO:In the streets people recognised their own carriages turned into hackney coaches; the shops were full of their things; books with their arms, china, furniture, portraits of their relations, who had perhaps perished on the scaffold. Walking along the boulevard one day soon after her return to Paris she stopped at a shop, and on leaving her address, the lad who was serving her exclaimed
TWO:Mon cher, here is what you wanted; the music is all right, I have just tried it on my flute. I am sorry not to be able to get you some more; I shall not be alive to-morrow. [107]
TWO:The Duchesse dAyenBirth and death of her sonsHer five daughtersTheir education at homeSaintly life of the DuchessMarriage of her eldest daughter to the Vicomte de NoaillesOf the second to the Marquis de la FayetteOf the Dauphin to the Archduchess Marie AntoinetteThe Comtesse de NoaillesMarriages of the Comtes de Provence and dArtois to the Princesses of SardiniaDeath of Louis XV.Unhappy marriage of the third daughter of the Duc dAyen to the Vicomte du RoureAfterwards to Vicomte de ThsanPaulette and Rosalie de NoaillesAdrienne de la FayetteRadical ideas of the Vicomte de Noailles and Marquis de la FayetteDispleasure of the family and the KingLa Fayette and de Noailles join the American insurgentsGrief and heroism of AdrienneMarriage of Pauline to the Marquis de Montagu.
TWO:What is the use, if my hour has come?
TWO:There she heard continually of the terrible scenes going on in Paris, and incidentally got news of one or other of her family, and now and then she received a letter from one of them with details which filled her with grief and terror.Mme. S was carrying on a liaison with Calonne, who was very much in love with her and very often at her house; she was also sitting for her portrait to Mme. Le Brun, who looked upon her as a pretty, gentle, attractive woman, but thought the expression of her face rather false.
TWO:Cest pour vous un fort vilain casOver the whole proceedings of Tallien and Trzia there was, in fact, an atmosphere and tone that can be best described as flash; for no other word seems to be so thoroughly characteristic of themselves, their friends, their sentiments, their speech, and their lives at this time.
TWO:

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The Princess remarking on this extravagance, he said in a low voiceMy poor dear, thats all the more reason, said Rosalie. Of course you must take them.Les vers que lamour me dictaitMarie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.
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