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The old woman's bones and ashes were cast into the Ganges, her husband still vacantly looking on, as all that was left of his life's companion floated for a few moments, and then was swallowed up in an eddy.

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A giant rock and natural fortress command the plain, towering above the garden-land. Two roads, hewn in the stone, lead by easy ascents to the top. All along the rock wall bas-reliefs are carved, warriors riding on elephants, and Kalis in graceful attitudes. There are openings to the green depths of reservoirs, small temples, arcades sheltering idols bowered in fresh flowers. Arches in the Ja?n style of architecture span the road, and at the summit, beyond the inevitable drawbridge, stands Mandir, the palace of King Pal, a dazzling structure of yellow stone, looking as if it had grown on the hill-rock that it crowns with beauty. Towers carrying domed lanterns spring skywards above the massive walls. The decoration is playfully light, carvings alternating with inlaid tiles; and all round the lordly and solemn edifice wheels a procession of blue ducks on a yellow ground in earthenware.At night the sound of a remote tom-tom attracted me to a large square shaded by giant trees. In a very tiny hut made of matting, a misshapen statue of Kali, bedizened with a diadem, a belt, nanparas, and bangles made of beads and gold tinsel, stood over a prostrate image in clay of Siva, lying on his back. In front of this divinity, under an awning stretched beneath the boughs of a banyan tree, two nautch-girls in transparent sarees were dancing a very smooth sliding step to the accompaniment of two bagpipes and some drums. The Hindoo spectators sat in a circle on the grounda white mass[Pg 142] dimly lighted by a few lanternsand sang to the music a soft, monotonous chant.And in the evening at messa dinner given in honour of a regiment marching throughnews was brought in that close to Bunnoo, in the Kurrum valley, two travellers had been murdered in the night.
  • ONE:Then, from a bridge across the Ganges, for a moment we had a last glimpse of the sacred citythe gold-coloured umbrellas, the throng of bathers on the steps to the riverand then Abibulla gravely remarked, "If only India had three cities like Benares it would be impossible ever to leave it."After an hour's passage we reached the island, which is thickly planted with fine large trees. TWO:There, again, they all sit down in the garden. The same little packets of betel, only wrapped in gold leaf, are offered to the company, and bunches of chrysanthemum sprinkled with scent.As we went down to the shore a whole swarm of little dark boys wanted to sell scarabs, rattans, birds' nests shaped like pockets, and dream-flowers, gathered from the creepers on the temples; large almond-scented lilies, and hanging bunches of the ebony-tree flowers, so fragile in texture and already faded in the sun, but exhaling till evening a faint perfume of verbena and lemon.

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  • ONE:The god having been placed in the shrine, which was enormously heavy, and took a hundred men to carry it, the procession set out. First two drums, then some children burning coloured fire and whirling fireworks round above their heads. Three oxen with housings of velvet, richly embroidered in gold, carried tom-tom drummers, and behind them came the priests and the god, hardly visible among the lights and flowers on the shrine. A breath of awe fell on the crowd as the divinity came by; they bowed in adoration with clasped hands and heads bent very low. TWO:In the distance, across the plain, herds of deer were feeding, and hardly looked up as the train went by.

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  • ONE: TWO:A roofless mausoleum is that of the Sultan[Pg 221] Altamsh, who desired to sleep for ever with no vault over his tomb but that of the heavens; a vast hall, its walls wrought with inscriptions in Persian, Hindostanee, and Arabic, built of brick-red granite and yellow marble softened to pale orange in the golden sunshine. Here and there traces may be seen of wall-paintings, green and blue, but quite faded, and now merely a darker shadow round the incised ornament. Hibiscus shrubs mingle their branches over the tomb and drop large blood-red blossoms on the stone sarcophagus. Further on is another mausoleum, in such good preservation that it has been utilized as a bungalow for some official.

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  • ONE:In the middle of a garden, full of clumps of flowering shrubs standing on green lawns, is the Nadjiff Ackraff, a vast rotunda crowned with gilt[Pg 188] cupolas and spires, and all round the building is an arcade built in a square and studded with iron pins on which thousands of wax lights are stuck on the evenings of high festivals. TWO:He, with his four sons, goes to pay a call on Tazulmulook, whom he does not recognize in his palace, when suddenly Dilbar arrives to claim her prisoners. The fifth son then relates to the king the deeds of his elder brothers, and in proof of his words points to the mark each of them bears on his neck. The king anathematizes the princes, and sends them to prison, but loads Tazulmulook with honours and affection.

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  • ONE:The long table was filled with officials and their wives, as happy as childrenpulling crackers at dessert, putting on paper caps, singing the latest music-hall nonsense; while outside, jackals whined, suddenly coming so close that they drowned the voices and the accompaniment on the piano.Delhi appeared in the blinding light like an unsubstantial vision, white against a bleached sky; and as we got nearer the city half vanished like a mirage, blotted out and dim through a shifting cloud of dust. TWO:The throng outside had increased; Abibulla could scarcely make way for me to the end of the street, and for a long time I could still hear the cries that reached us at a distance.

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THREE:
THREE:The music played louder, light flashed out on all sides, the god stood still, and bayadres performed their worship. With slow gestures, their hands first hollowed and held to the brow, then their arms flung out, they bowed before the idol with a snake-like, gliding motion, while the music played very softly and the lights burnt faintly. The nauchnees, in dark muslin drapery spangled with gold, bangles on their arms, their necks, and their ankles, and rings on their toes, swayed as they danced, and swung long, light garlands of flowers which hung about their necks. And there were flowers in their hair, in a bunch on each side of the head, above two gold plates from which hung strings of beads. The flying, impalpable gauze looked like a swirl of mist about their limbs.

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THREE:The song of birds in the mitigated atmosphere of the dying day came in from outside, for a moment almost drowning the pleader's weariful tones as he poured forth his statement, emphasized by sweeping gestures.

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THREE:

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THREE:On the tomb, in elegant black letters, is this inscription:

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FORE:
FORE:Colaba is the port; the docks, with tall houses between the enormous warehouses. The silence is appalling; windows, doorsall are closed. Only a few coolies hurry by in the white sunshine, with[Pg 13] handkerchiefs over their mouths to protect them against the infection in these streets, whence came the plague which stole at first through the suburbs, nearer and nearer to the heart of the city, driving the maddened populace before it.The game had begun. The prince's cousins, dressed in light white muslin, seemed to fly as they ran after the ball in the fluttering of the diaphanous stuff.
FORE:"It is made at thirty-five, twenty, fifteen rupees."
FORE:A man in the fort always struck out the hours on a gong, very slowly, in the heat of the day. Twelve at noon was interminableone, two, three were so feeble as to be scarcely audible. And then when it was cooler and the tom-toms could be heard in the distance, the strokes had a queer dislocated rhythm, and sometimes even a stroke too many, smothered in a hurried roll.
FORE:
FORE:A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad.Round the railway station crowds the village of Chandernagore, the huts close together, with no land to spare, and at length we were in the city of houses, with broad terraces in front in a classic style, with colonnades and decorations in relief, and broad eaves overhanging for shade. And beautiful gardens, bougainvilleas, and almond trees, white-blossomed faintly touched with pink, hedge in streets with foreign-sounding names. The air was full of the fresh scent of water and greenery and of the blessed peace of silenceso rare in India.
FORE:A great crowd round the bungalow and along the road, and a mass of sepoys and police, made Abibulla remark:After the delay, which in India is a matter of course, the caravan set outthe last to go; for during the past three months no European had[Pg 247] crossed the pass, and in consequence of misunderstandings with some of the rebel tribes to the north, even the natives were prohibited henceforth from going to Cabul.
FORE:Down in the streets the houses looked ghostly blue in the moonlight, the cross roads, lighted with the warmer glow of a few lamps in red paper shades, alternating with the black darkness, in which it was just possible to discern cows and goats lying on the ground.
FORE:Trees shut in the flat, interminable road, and it was midnight before we reached Srinagar, where I found, as a surprise, a comfortable house-boat with inlaid panels, and a fragrant fire of mango-wood smelling of orris-root.

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It was melancholy to return under the gloomy, spreading banyans, through the dimly-lighted suburbs, where the people were still at work and selling their wares; and the dungeon, the dead stones, the guns now for ever silenced and pointed at vacancy, were lost in blue darkness.DEHRA DOONHe, with his four sons, goes to pay a call on Tazulmulook, whom he does not recognize in his palace, when suddenly Dilbar arrives to claim her prisoners. The fifth son then relates to the king the deeds of his elder brothers, and in proof of his words points to the mark each of them bears on his neck. The king anathematizes the princes, and sends them to prison, but loads Tazulmulook with honours and affection.AHMEDABADIn the middle of the town, which consists entirely of small houses carved from top to bottom, are two massive towers, joined by the remains of the thick wall that formerly enclosed the immensity of the sultan's palace and its outbuildings. The towers now serve as prisons; the stone lattice which screened the private rooms has been replaced by iron bars, the last traces of ornamentation covered up with fresh plaster. Behind the wall the ancient garden, kept green of old by legions of gardeners, is a mere desert of dust; a mausoleum in the middle, transformed into a court of justice, displays all the perfection of Indian art in two pointed windows carved and pierced in imitation of twining and interlaced branches; marvels of delicacy and grace left intact through centuries of vandalism.
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