THREE:��I can sell it again for more than you paid for it, sir. The price of it has gone up considerably.�� FORE:So the argument had waged since the telling of Tom Driver's story. Gregg's chief difficulty was to get Allingham to see that there really might be something in this theory of a world in which merely trivial things had become permanent, whilst the cosmos itself, the hitherto unchanging outer environment of man's existence, might have opened up in many new directions. Man might have tired of waiting for a so long heralded eternity, and made one out of his own material tools. The Clockwork man, now crystallised in Gregg's mind as an unforgetable figure, seemed to him to stand for a sort of rigidity of personal being as opposed to the fickleness of mere[Pg 110] flesh and blood; but the world in which he lived probably had widely different laws, if indeed it had humanly comprehensible laws at all.Near the archery grounds there was a collection of so-called wax-works, and the Doctor paid the entrance-fees for the party to the show. These wax-works consist of thirty-six tableaux with life-size figures, and are intended to represent miracles wrought by Ku-wanon, the goddess of the temple. They are the production of one artist, who had visited the temples devoted to Ku-wanon in various parts of Japan, and determined to represent her miracles in such a way as to instruct those who were unable to make the pilgrimage, as he had done. One of the tableaux shows the goddess restoring to health a young lady who has prayed to her; another shows a woman saved from shipwreck, in consequence of having prayed to the goddess; in another a woman is falling from a ladder, but the goddess saves her from injury; in another a pious man is saved from robbers by his dog; and in another a true believer is overcoming and killing a serpent that sought to do him harm. Several of the groups represent demons and fairies, and the Japanese skill in depicting the hideous is well illustrated. One of them shows a robber desecrating the temple of the goddess; and the result of his action is hinted at by a group of demons who are about to carry him away in a cart of iron, which has been heated red-hot, and has wheels and axles of flaming fire. He does not appear overjoyed with the free ride that is in prospect for him. These figures are considered the most remarkable in all Japan, and many foreign visitors have pronounced them superior to the celebrated collection of Madame Tussaud in London. Ku-wanon is represented as a beautiful lady, and in some of the figures there is a wonderfully gentle expression to her features.