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IN the histories of the four women whose lives are here related, I have tried, as far as is possible in the limited space, to give an idea of the various ways in which the Revolutionary tempest at the close of the eighteenth century and the eventful years which preceded and followed it, affected, and were regarded by, persons of the different parties and classes to which they belonged.
ONE: TWO:Very often in the mornings the two girls went together to the artist Briard, who had a studio in the Louvre, and who, though an indifferent painter, drew well, and had several other young girls as pupils.But the next day passed and she was not called for. All day she waited in a feverish, terrible suspense that can well be imagined; night came and she was still spared. Morning dawned, the morning of the 9th Thermidor. The weather was frightfully oppressive, and in all the prisons in Paris they were stifling from the heat, for the late cruel restrictions had put an end, even in the more indulgent prisons, to the possibility of walks in garden or cloister and the chance of fresh air. But as the long, weary day wore on, there seemed to be some change approaching; there was an uneasy feeling about, for there had lately been rumours of another massacre in the prisons, and the prisoners, this time resolving to sell their lives dearly, had been agreeing upon and arranging what little defence they could make. Some planned a barricade made of their beds, others examined the furniture with a view to breaking it up into clubs, a few brought carefully out knives they had managed to conceal in holes and corners from the prison officials, some filled their pockets with cinders and ashes to fling in the faces of their assailants, and so escape in the confusion, while others, republicans and atheists, felt for the cabanis, a poison they carried about them, and assured themselves that it was all safe and ready for use.

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ONE:[117]

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THREE:Il en avait trois grises

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THREE:The journeys of the court to the different country [394] palaces, Versailles, Compigne, Fontainebleau, Marly, &c., were affairs of enormous expense, and ceremony so preposterous, that, for instance, there was one sort of court dress for Versailles, and another, equally magnificent and uncomfortable, for Marly. On the 1st of January Louis XV. always arranged with care and consideration the journeys for the year to the different palaces, of which there were a great number. Mme. Campan [117] in her Mmoires, says that Marly, even more than Versailles, transported one vividly to the reign of Louis XIV.; its palaces and gardens were like a magnificent scene in an opera; fountains, pavilions, statues, marble basins, ponds and canals, thickets of shrubs, groups of tall trees, trellised walks and arbours, amongst which the ladies and gentlemen of the royal households and court walked about in full dress; plumes, paniers, jewels, and trains making any enjoyment of the country out of the question, but impressing with awe and admiration the crowds who were admitted to the gardens, and to the suppers and gambling at night. Every trace of this palace and gardens disappeared in the Revolution.

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THREE:But Louis XVIII. in his Memoirs says:The most important part of the tour to Mme. Le Brun was her visit to Antwerp, then a medi?val city of extraordinary beauty and interest, which have only, in fact, of comparatively recent years been destroyed by the vandalism of its inhabitants. So striking was its appearance, with its walls, gates, and forest of towers rising from the broad Scheldt, that Napoleon, enchanted with its beauty, said it looked like an Arab city, and he gazed upon it with admiration.

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THREE:The anxieties and sorrows of life were already gathering round the girls thrust so early into the burden and heat of the day.

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THREE:

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THREE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.It is a gang of assassins, said he, bringing bodies of victims to bury in the garden. Just then the man who had hired the pavilion came in; the wife followed him and rushed back pale with terror.

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ONE:The guests were met at the park gates by young girls dressed in white, who gave them bouquets of flowers; they dined out of doors under the shade of chestnut-trees, while a band played airs from Richard C?ur-de-Lion, Castor et Pollux, etc.; [284] the only contretemps being a sudden gust of wind which took off the wigs of some of the guests: Robespierre amongst the number. Many beautiful women were present, but none could rival their lovely hostess. Toasts were drunk to her beauty, verses improvised to her Spanish eyes, her French esprit; she was declared the goddess of the fte, queen being no longer a popular word.The Comtes de Provence and dArtois were married to the two daughters of the King of Sardinia, to whose eldest son the Princess Clotilde was betrothed.

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Oui, Sire, quand ils sont polis.The power, security, and prosperity of the throne and royal family of France seemed to be at that time absolute and unassailable; and although of the ten or eleven children of Louis XV. and Marie Leczinska, the Dauphin was the only son who had lived to grow up, the succession to the crown appeared to be in no danger, as he had already two boys, the Ducs de Bourgogne and Berri; the Comte de Provence was born in November, 1755, and his birth was followed by that of the Comte dArtois, besides the Princesses Clotilde and Elizabeth, who by the Salic law were excluded. The Queen, who was seven years older than the King, was already fifty-two. A woman of blameless character, she had never been pretty, attractive, or even sensible. DArgenson, writing in 1750, says of her that she was very stupid, made silly remarks, reproved her children for trifles, and passed over serious faults. They were all so fond of eating that Mesdames kept port wine, ham, and other [165] things in a cupboard, and ate and drank at all hours.
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