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The maiden was placed on a very high pile of saplings and dry crackling boughs. Her father fetched the sacred fire, and then, with the same ceremonials and prayers, set light to the wood, which flashed up in a golden glow with a sweet odour. The flame rose clear against the sky for a long time before the smell of her burnt flesh mingled with that of the poor woman, whose limbs, under the action of the heat, seemed to stretch to an inordinate length. One arm, sticking out from the fire, seemed to clench its fist, which was bright yellow, as if it would clutch at something; and then all was consumedthe wood pile fell in, the skull cracking with a dull snap, and nothing was left but a heap of embers, into which the attendants raked the cinders that rolled down the sloping bank.Inside the mausoleum numberless lustres hang from the roof, and fine large standing lamps with crystal pendants burn round two tombs covered with antique hangings and wreathed with jasmine; beneath these lie the two last kings of Oudh. Small models of two famous mosques, one in gold and one in silver, are placed on the tombs, round which a whole regiment of obsequious moollahs and beggars mount guard. On the walls childish paintings, representing scenes of the Anglo-Indian conflict, alternate with mirrors in gilt frames, and silk standards exquisitely faded, embroidered with dim gold and silver, and surmounted by tridents.
ONE:

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TWO:To the right of the forecourt is the high priest's room; lustres, glass shades, gilt chairs, coloured photographs, incongruously surrounding an antique silk carpet, soiled and stained.In front of the palace, beds filled with common plants familiar in every European garden fill the place of honour; they are very rare, no doubt, in[Pg 54] these latitudes, and surprising amid the gorgeous hedges of wild bougainvillea that enclose the park.

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TWO:We left Rawal Pindi in a tonga. The night was black, the carriage had no lamps; but now and again, at the sound of the driver's horn, dark massesbaggage camels, scarcely distinguishable in the gloommade way for us to go past at a gallop.

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TWO:

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ONE:The song of birds in the mitigated atmosphere of the dying day came in from outside, for a moment almost drowning the pleader's weariful tones as he poured forth his statement, emphasized by sweeping gestures.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:In the middle of the station groups of women and children squatted on the flagstones, their little bundles about them of red and white rags, and copper pots looking like gold; a huddled heap of misery, in this enormous hall of palatial proportions, handsomely decorated with sculptured marble.

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:The regiment is housed under sheds, the horses picketed to the ground by one fore and one hind foot. They are thoroughbred and magnificent beasts, almost all from the prince's stud, and affectionately cared for by the men, who were delighted to be complimented on their steeds.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:AHMEDABAD[Pg 292]

ONE:

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:The ripe rice, in golden ears, is cut with sickles; a row of women in red gather it into sheaves, which men carry on their back, at once, to the next village, and there it is threshed out forthwith on floors but just swept.



FORE:

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:A little way off, in the burning sandy plain, is a pagoda sacred to the pigeons. Lying as close as tiles, in the sun, they hide the roof under their snowy plumage. Round pots are hung all about the building, swaying in the wind, for the birds to nest in, a red decoration against the russet stone; each one contains an amorous and cooing pair.Then at Peshawur again in the evening, girls, with groups of soldiers in red jackets or Scotch kilts; the common women were horrible, whitened,[Pg 251] with loose shirts and tight-fitting trousers. One alone sat at her window wreathed about with mindi flowers in the crude light of a lamp. The others accosted the passer-by, laughing and shouting in shrill tones.

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:

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ONE:And again ruins. Under an archway still left standing on piers carved with lilies and foliage, lay a whole family of pariahs covered with leprosy and sores.

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:Everything seems fused in a haze under the sun, as it grows hotter and hotter, and in that quivering atmosphere looks like a mass in which red and white predominate, with the persistent harmony of motion of the swaying, barefooted crowd.


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ONE:

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:And then night, the real night, transparently blue and luminous with stars, appeared above the last cloud that vanished with the last clap of thunder. Unspeakable freshness and peace reigned over nature, and in the limpid air the mountain-chains, the giant Himalayas, extended to infinity in tones of amethyst and sapphire. Nearer to us, lights sparkled out in the innumerable huts built even to the verge of the eternal snows, on every spot of arable ground or half-starved grass land.



FORE:To reach this tower in its garden of flowering shrubs the way is under the Alandin gate of pink sandstone; the name evokes a tale of wonder, and the pointed arch, exquisitely noble in its curve, looks like pale vellum, graven all over with ornaments, and inscriptions to the glory of Allah.In the plain the sowars were performing an[Pg 280] Indian fantasia. Charging at a gallop, their wide sleeves flying behind them, they swept past like a whirlwind, aiming with their lances at a peg of wood stuck into the ground. Whenever it was speared there were frantic shouts and applause from a crowd of spectators, packed in the best places. In a cloud of dust, growing steadily thicker and hanging motionless over the riders, the performance went on, its centre always this same peg of wood, replaced again and again, exciting the enthusiasm of connoisseurs till the last ray of light died away.
Published Aug 30.
TWO:

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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FORE:The game had begun. The prince's cousins, dressed in light white muslin, seemed to fly as they ran after the ball in the fluttering of the diaphanous stuff.Adinath, a Ja?n temple, is roofed with huge blocks of stone. The airy architecture is a medley of balconies, of pierced panels, of arcades in squares, in lozenges, in octagons; the two stories, one above the other, are on totally different plans, and along every wall, on every column and every balustrade runs a fatiguing superfluity of ornament, figures and arabesques repeated on the stone, of which not an inch is left plain.
Published Aug 28.
TWO:On our way back through the temple-quarter a sudden wild excitement possessed the worshippers and priests; out of a side street rushed a large troop of monkeys, grey, with black faces. They galloped past in a close pack and fled to the trees, shrieking shrilly. One, however, lagged behind, bent on stealing some rice that had been brought as an offering to a plaster image of Vishnu. A Brahmin stood watching the monkey, and tried to scare it away with a display of threatening arms, but he dared not hit the beast sacred to Hanuman, the god of the green face. The creature, never stirring from the spot, yelled aloud, bringing the rest of the pack back on to the roof of the neighbouring pagodas. Then the ringleader, with a subdued, sleepy, innocent gait, stole gently up to the tray of offerings. He was on the point of reaching it when the priest raised his arm. This was a signal for the whole tribe to scream and dance with terror, but without retreating. The performance seemed likely to last; the bazaar and the temples were in a hubbub of excitement; the doors of the shops and the sanctuaries were hastily shut, till, at the mere sight of a man who came out[Pg 299] with a long bamboo in his hand, the whole pack made off and appeared no more, and Hardwar relapsed into its somnolent sanctity.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More




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The maiden was placed on a very high pile of saplings and dry crackling boughs. Her father fetched the sacred fire, and then, with the same ceremonials and prayers, set light to the wood, which flashed up in a golden glow with a sweet odour. The flame rose clear against the sky for a long time before the smell of her burnt flesh mingled with that of the poor woman, whose limbs, under the action of the heat, seemed to stretch to an inordinate length. One arm, sticking out from the fire, seemed to clench its fist, which was bright yellow, as if it would clutch at something; and then all was consumedthe wood pile fell in, the skull cracking with a dull snap, and nothing was left but a heap of embers, into which the attendants raked the cinders that rolled down the sloping bank.Inside the mausoleum numberless lustres hang from the roof, and fine large standing lamps with crystal pendants burn round two tombs covered with antique hangings and wreathed with jasmine; beneath these lie the two last kings of Oudh. Small models of two famous mosques, one in gold and one in silver, are placed on the tombs, round which a whole regiment of obsequious moollahs and beggars mount guard. On the walls childish paintings, representing scenes of the Anglo-Indian conflict, alternate with mirrors in gilt frames, and silk standards exquisitely faded, embroidered with dim gold and silver, and surmounted by tridents.

Some Address 987,

+34 9884 4893

|


THANKS FOR VISITING US

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The maiden was placed on a very high pile of saplings and dry crackling boughs. Her father fetched the sacred fire, and then, with the same ceremonials and prayers, set light to the wood, which flashed up in a golden glow with a sweet odour. The flame rose clear against the sky for a long time before the smell of her burnt flesh mingled with that of the poor woman, whose limbs, under the action of the heat, seemed to stretch to an inordinate length. One arm, sticking out from the fire, seemed to clench its fist, which was bright yellow, as if it would clutch at something; and then all was consumedthe wood pile fell in, the skull cracking with a dull snap, and nothing was left but a heap of embers, into which the attendants raked the cinders that rolled down the sloping bank.Inside the mausoleum numberless lustres hang from the roof, and fine large standing lamps with crystal pendants burn round two tombs covered with antique hangings and wreathed with jasmine; beneath these lie the two last kings of Oudh. Small models of two famous mosques, one in gold and one in silver, are placed on the tombs, round which a whole regiment of obsequious moollahs and beggars mount guard. On the walls childish paintings, representing scenes of the Anglo-Indian conflict, alternate with mirrors in gilt frames, and silk standards exquisitely faded, embroidered with dim gold and silver, and surmounted by tridents.


THREE:Near this tomb is a stele with the dish on the top of it in which the Koh-i-noor was found. In the crypt of the mosque, at the end of a passage, is a vaulted room lined with stucco and devoid of ornament, and here is the burial place of Akbar, a mound covered with lime. The sarcophagus above, at the foot of which the Koh-i-noor once blazed, is but the replica of this.

Some Address 987, NY
+34 9884 4893
+34 59855 9853
agency@blacktie.co
@blacktie_co
BlackTie Agency

THREE:

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THREE:The elephant of ceremony, covered with a velvet cloth embroidered with gold, on which was placed a massive silver howdah edged with gold, was in waiting to take me for a ride. Round the beast's neck hung a huge necklace of balls as large as apples and long pendants from his ears, all of silver, tinkling as he moved and glittering in the sun. The mahout rested a ladder against the elephant's head for me to mount by, and we set out, following the Rajah and escorted by sowars, to the very modern tennis club of Palitana.

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FORE:In the train to Delhi the windows were screened with cuscus mats constantly sprinkled with water, and so long as the train was in motion the air came in cool, fragrant, and breathable. But whenever we stopped in the desert which this country becomes just before the monsoon, melted lead seemed to scorch up the atmosphere and shut the train in between walls of fire.One of these mausoleums served us for a bungalow. The distance was visible from the window openings, which were fringed with cuscus blinds[Pg 39] that would be pulled down at night: the spreading dark plain, broken by gleaming pools, and dotted with the lamps in the temples to Vishnu, of which the cones were visible in silhouette, cutting the clear horizon.
From Kusshalgar we were travelling in a tonga once more. The landscape was all of steep hills without vegetation; stretches of sand, hills of claylilac or rosy brick-earth scorched in the sun, green or brown earth where there had been recent landslips, baked by the summer heat to every shade of red. There was one hill higher than the rest, of a velvety rose-colour with very gentle undulations, and then a river-bed full of snowy-white sand, which was salt.BOMBAYAt Jan the pagodas are of red stone. The largest, conical in shape, covers with its ponderous roof, overloaded with sculptured figures of gods and animals, a very small passage, at the end of which two lights burning hardly reveal a white idol standing amid a perfect carpet of flowers. Round the sacred tank that lies at the base of the[Pg 45] temple, full of stagnant greenish-white water, are flights of steps in purple-hued stone; at the angles, twelve little conical kiosks, also of red stone and highly decorated, shelter twelve similar idols, but black. And between the temples, among the few huts that compose the village of Jan, stand Moslem mausoleums and tombs. Verses from the Koran are carved on the stones, now scarcelyl visible amid the spreading briars and garlands of creepers hanging from the tall trees that are pushing their roots between the flagstones that cover the dead.
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