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THREE:INTRODUCTION.

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THREE:Drawings represent and explain the machinery to which they relate as the symbols in algebra represent quantities, and in a degree admit of the same modifications and experiments to which the machinery itself could be subjected if it were already constructed. Drawings are also an important aid in developing designs or conceptions. It is impossible to conceive of, and retain in the mind, all the parts of a complicated machine, and their relation to each other, without some aid to fix the various ideas as they arise, and keep them in sight for comparison; like compiling statistics, the footings must be kept at hand for reference, and to determine the relation that one thing may bear to another.

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THREE:The Alexandrian Sceptic��s general arguments against the possibility of knowledge resolve themselves into a criticism of what Sir W. Hamilton called Natural Realism, somewhat complicated and confused by a simultaneous attack on the theory of natural morality conceived as something eternal and immutable. They are summed up in the famous ten Tropes. Of these the first three are founded on the conflicting sensations produced by the same object when acting on different animals��as is inferred from the marked contrast presented by their several varieties of origin and structure,��on different men, and on the different senses of the same individual. The fourth, which has evidently an ethical bearing, enlarges on the changes in men��s views caused by mental and bodily changes, according to their health, age, disposition, and so forth. The next five Tropes relate to circumstances connected with the objects themselves: their distance and position as regards the spectator, the disturbance produced in their proper action by external influences such as air and light, together with the various membranes and humours composing the organs of sense through which they are apprehended; their quantitative variation, involving as it does opposite effects on the senses, or as with medicines, on the health; the law of relativity, according to which many things are only known when taken in company with others, such as double and half, right and left, whole and part; comparative frequency or rarity of occurrence, as with comets, which, while really of much less importance than the sun, excite much more interest from their being so seldom seen. Finally, the tenth Trope is purely ethical, and infers the non-existence of a fixed moral standard from the divergent and even opposite customs prevailing among different nations.297We must, however, observe that, underlying all these poetical imaginations, there is a deeper and wider law of human nature to which they unconsciously bear witness��the intimate connexion of religious mysticism with the passion of love. By this we do not mean the constant interference of the one with the other, whether for the purpose of stimulation, as with the naturalistic religions, or for the purpose of restraint, as with the ethical religions; but we mean that they seem to divide between them a common fund of nervous energy, so that sometimes their manifestations are inextricably confounded, as in certain debased forms of modern Christianity; sometimes they utterly exclude one another; and sometimes, which is the most frequent case of any, the one is transformed into the other, their substantial identity and continuity being indicated very frankly by their use of the same language, the same ritual, and the same aesthetic decoration. And this will show how the decay of religious belief may be accompanied by an outbreak of moral licence, without our being obliged to draw the inference that passion can only be held in check by irrational beliefs, or by organisations whose supremacy is fatal to industrial, political, and intellectual progress. For, if our view of the case be correct, the passion was not really restrained, but only turned in a different direction, and frequently nourished into hysterical excess; so that, with the inevitable decay of theology, it returns to its old haunts, bringing with it seven devils worse than the first. After the220 Crusades came the Courts of Love; after the Dominican and Franciscan movements, the Renaissance; after Puritanism, the Restoration; after Jesuitism, the Regency. Nor is this all. The passion of which we are speaking, when abnormally developed and unbalanced by severe intellectual exercise, is habitually accompanied by delirious jealousy, by cruelty, and by deceit. On taking the form of religion, the influence of its evil associates immediately becomes manifest in the suppression of alien creeds, in the tortures inflicted on their adherents, and in the maxim that no faith need be kept with a heretic. Persecution has been excused on the ground that any means were justifiable for the purpose of saving souls from eternal torment. But how came it to be believed that such a consequence was involved in a mere error of judgment? The faith did not create the intolerance, but the intolerance created the faith, and so gave an idealised expression to the jealous fury accompanying a passion which no spiritual alchemy can purify from its original affinities. It is not by turning this most terrible instinct towards a supernatural object that we should combat it, but by developing the active and masculine in preference to the emotional and feminine side of our nervous organisation.136

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THREE:"But I didn't do anything of the kind," Leona resumed. "I had Balmayne to back me up. He played the part of a deaf mute servant for me and fetched Dr. Bruce in the motor car. When Bruce came I departed, at least I left him on the premises. I dared not stay any longer. Half Bruce's story was a clever lie. He only told a portion of it. And it has been proved beyond doubt that the notes Leon intended to send to you were paid by Dr. Bruce to a firm in the Tottenham Court Road for some furniture. I am not romancing; you can see all this in the papers. Every one of those missing notes had Dr. Bruce's signature on the back. How do you get over that?"

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